For the second installment in Saturday evening’s Corbridge Chamber Music Festival double bill, St Andrew’s Church was bedecked with tea lights for a programme of light-hearted salon chamber music, based around Book 6 of Mendelssohn’s Songs Without Words, Op. 67.
Now in its 13th year, the annual Corbridge Chamber Music Festival fills St Andrew’s Church, Corbridge to its high-vaulted ceiling, with glorious music from the Gould Piano Trio (who are celebrating their 20th anniversary this year) and their varied guests.
Three is the magic number. The animated and dynamic Gould Piano Trio took to the stage and delighted the audience with three piano trios by Beethoven. The concert was the second of an exciting quartet of concerts, ‘The Beethoven Trios Series’, which are part of the Gould Piano Trio’s 20th Anniversary Year celebrations.
Dans le Concerto pour violon de Beethoven, le violoniste allemand et la phalange parisienne ont montré leur belle complicité, avant une Première Symphonie de Brahms décevante sous la direction de Cristian Măcelaru.
Le chef allemand délivre une véritable leçon de direction d'orchestre dans la Première Symphonie de Prokofiev et dans Petrouchka de Stravinsky, éclipsant les Variations rococo peu inspirées de Jeremias Fliedl.
A twice graduate of the RWCMD (BMus & MMus), Philip developed a strong interest in both early and 20th century music, particularly the works of the Second Viennese School and the late William Alwyn. A pianist and ensemble musician, Philip plays with the TripTych Trio and has a particular interest in orchestral and chamber music.
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