La clemenza di Tito at La Fenice: splendid score, sterile stage

Anastasia Bartoli (Vitellia) and Cecilia Molinari (Sesto)

Daniel Behle (Tito)

La clemenza di Tito

Nicolò Balducci (Annio) and Francesca Aspromonte (Servilia)

Par Laura Servidei, 24 novembre 2025

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“Molinari... demonstrated a masterful understanding of Mozartian style”

Critique faite à Teatro La Fenice, Venise, le 23 novembre 2025

Mozart, La clemenza di Tito (La Clémence de Titus)

Teatro La Fenice

Ivor Bolton, Direction

Paul Curran, Mise en scène

Orchestra del Teatro La Fenice

Coro del Teatro La Fenice

Daniel Behle, Tito

Cecilia Molinari, Sesto

Anastasia Bartoli, Vitellia

Nicolò Balducci, Annio

Francesca Aspromonte, Servilia

Domenico Apollonio, Publio

Vivaldi’s pasticcio Bajazet given an extravagant staging

Laura Servidei, 7th June

Federico Maria Sardelli leads a great cast of specialists in a new production by Fabio Ceresa, perfectly attuned to the Baroque style.

****1

Orlando furioso: Vivaldi returns to Venice in a Baroque feast

Laura Servidei, 23rd September

Fabio Ceresa's spectacular production to the Teatro Malibran with a strong cast in the hands of Diego Fasolis.

****1

Un Ernani desacomplejado y gótico en Les Arts

Daniel Martínez Babiloni, 7th June

Les Arts concluyó la temporada con Ernani en una producción que concita tradición y modernidad, en torno a una lectura musical desprejuiciada y una versión basada en el drama gótico original.

***11

La Fenice closes season with a lively new Fille du regiment

Laura Servidei, 14th October

John Osborn dazzles again as Tonio in a nostalgic new production by Barbe and Doucet, with a strong cast under the baton of Stefano Ranzani.

***11

Full fathom five: Peter Grimes at La Fenice

Elena Luporini, 24th June

Finally reaching the stage of the Venetian theatre, Benjamin Britten's first major opera meets with success thanks to Juraj Valčuha's conducting, Paul Curran's staging and an excellent cast.

*****

Méphistophélès returns to the stage in Gounod’s Faust at La Fenice!

Laura Servidei, 30th April

The Teatro La Fenice reprises Joan Anton Rechi’s production in its full stage version, less inspiring than the one expanded through the whole theatre during Covid times.

***11

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Laura Servidei

Mathematician, science nerd, translator of popular science books, obsessed opera fan since the teen years. Day job: business analyst in a software house developing systems for the financial industry. Amateur choral singer. Main musical interests: baroque music and Italian opera. Originally from Italy, currently based in Sweden. I make a mean eggplant parmesan.

Splendid score, sterile stage: a new Clemenza di Tito at La Fenice