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Dancing Bach: The Mikhailovsky Ballet's powerful contemporary face in London

Par Cristina de Lucas, 08 avril 2013
Chargement en cours, veuillez patienter...
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Critique faite à The London Coliseum, Londres, le 5 avril 2013
Programme
Multiplicity. Forms of Silence and Emptiness (Nacho Duato)
Artistes
Mikhailovsky Ballet
Marat Shemiunov, Danse
Sabina Yapparova, Danse
Polina Semionova, Danse
Voir plus de critiques Danse
São Paulo Dance Company: a sensational London debut
Deborah Weiss, 9th February
If you’re in need of some joy and exhilaration, the São Paulo Dance Company offers the perfect solution at Sadler's Wells. 
*****
Petipa Awards Gala: thrilling theatrics and star turns!
Margaret Willis, 23rd September
A shimmering smorgasbord of some of today’s most exciting international dancers, who performed pristine works by Petipa.
****1
Un trío de ases para una noche de danza: Galili, Kylián y Duato
Eduardo López-Collazo, 30th May
Por vos muero tiene más de veinte años, pero no ha envejecido porque lo bueno nunca sufre los avatares del tiempo.
****1
Polina and Friends gala wins Berlin balletomanes
Katja Vaghi, 17th May
Organised by Berlin State Ballet audience’s darling, the principal dancer Polina Semionova, the gala Polina & Friends and its stellar cast literally left the house roaring from enthusiasm.
*****
Duato | Shechter in Berlin
Katja Vaghi, 6th November
Duato | Shechter by the Staatsballett Berlin at the Komische Oper is a classic yet sleekly contemporary programme. 
***11
Danse Danse brings the Brazilians
Rebecca Galloway, 28th April
São Paulo Companhia de Dança presents a mixed programme of works by Edouard Lock, Jomar Mesquita and Nacho Duato at the Théâtre Maisonneuve in Montréal
***11
Plus de critiques...
Lire critiques de
Johann Sebastian BachLeonid SarafanovMarat ShemiunovMikhailovsky BalletMultiplicity. Forms of Silence and EmptinessNacho DuatoPolina SemionovaSabina Yapparova
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Cristina de Lucas
Cristina de Lucas
After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.