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Schubert and Shostakovich make a strange pairing with La Verdi

Par James Imam, 09 décembre 2013
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Critique faite à Auditorium di Milano Fondazione Cariplo, Milan, le 5 décembre 2013
Programme
Schubert, Symphonie no. 6 en ut majeur, D.589
Chostakovitch, Symphonie no. 8 en ut mineur, Op.65
Artistes
Orchestra Sinfonica di Milano
Oleg Caetani, Direction
Voir plus de critiques Concert
Stanislav Kochanovsky brings Russian passion to LaVerdi
Oliver Brett, 7th April
An exhilarating journey through three Russian suites with LaVerdi in Milan. 
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LaVerdi and Xian Zhang usher spring into Milan
Oliver Brett, 1st April
Schumann, Goldmark and Malipiero feature in a seasonal programme in Milan. 
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Youthful vigour and eclectic treats from La Verdi
James Imam, 25th September
If the orchestra's playing was marked by poise and balance, so was the programme taken in its entirety. The buoyancy that had prevailed to now brought out the darker hues of Schubert's “Unfinished” Symphony deliciously.
****1
“Vive la France!”: Gallic pride from La Verdi, Milan
James Imam, 9th July
La Verdi dispatched each of the works with panaché under audience favourite Oleg Caetani. There is plenty of swagger to their playing at present – a Gallic cock with plenty of feathers in its tail.
****1
A Russian portrait: Scriabin and Campogrande from La Verdi
James Imam, 5th June
La Verdi possessed the necessary bloom to portray Scriabin's rich colour scheme under former LSO Assistant Marius Stravinsky. At times, they were irresistible.
****1
All-embracing Weill and Mahler from Axelrod and La Verdi
James Imam, 24th April
This was raw Mahler at its most all-embracing. The musicians seemed to embrace the entire world. As an audience member made to leave the hall, Axelrod leant over the balustrade to shake his hand.
****1
Plus de critiques...
Lire critiques de
Dimitri ChostakovitchFranz SchubertOleg CaetaniOrchestra Sinfonica di MilanoSymphonie no. 6 en ut majeur, D.589Symphonie no. 8 en ut mineur, Op.65
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James Imam
James Imam
James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.