Fiddling while Carthage burns: Jommelli's La Didone from Ensemble Serse

Par Charlotte Valori, 11 avril 2014

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Critique faite à Grosvenor Chapel, Mayfair, Londres, le 5 avril 2014

Jommelli, La Didone (Rome 1746)

Ensemble Serse

Calvin Wells, Sopranist

Alexander Pullinger, Contre-ténor

Ronan Busfield, Ténor

Tom Verney, Contre-ténor

James Hall, Contre-ténor

Martin Milnes, Contre-ténor

Hasse's Lucio Papirio Dittatore revived at London Handel Festival

David Karlin, 6th April

Had you been travelling, in the mid 18th century, around the crowned courts of middle Europe, there would have been little debate as to who was the most celebrated opera composer and ensemble: Johann Adolph Hasse and his company at the Saxon court of Dresden.

***11

Jommelli's Vologeso thrown to the lions

Mark Pullinger, 28th April

A concert performance wasn't perhaps the best way to make a case for Jommelli's Il Vologeso, presented as part of Classical Opera's Mozart 250 series.

***11

Macht ist sexy

Snapdragon, 22nd March

Robert Carsen inszeniert Händels Agrippina als köstliche Sex & Crime-Komödie mit Tempo, Witz und italienischer Eleganz.

*****

Agrippina: Power-dressed and power hungry

Charlotte Valori, 25th July

Bruno Ravella's version of Handel's Agrippina moves the action from Classical Rome to the avaricious Eighties in a sharp, amusing night at Iford.

***11

Death in Venice at Garsington

Gavin Dixon, 21st June

Britten’s final opera given an impressively atmospheric staging, ideally conceived for the small venue

****1

Vivaldi's Griselda launches Opera Settecento

Nahoko Gotoh, 18th September

When compared to the operas of Handel, Vivaldi’s operas are still relative rarities either on stage or in concert. There have been a handful of performances in UK in the last five years...

****1

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Charlotte Valori

Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.