The other Don Giovanni: Gazzaniga's take on the legendary lothario

Marcus Swietlicki (Don Giovanni) and Henna Mun (Maturina)

David Fraser (Commendatore), Daniel Barrett (Pasquariello) and Marcus Swietlicki (Don Giovanni)

Alexandra Dunaeva (Anna), Georgia Melville (Elvira), Henna Mun (Maturina) and Ellen Pearson (Ximena)

Par Dominic Lowe, 22 novembre 2023

Chargement en cours, veuillez patienter...

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“Henna Mun... an appealing higher register and a presence that makes her a natural on the stage”

Critique faite à Royal College of Music: Britten Theatre, Londres, le 20 novembre 2023

Gazzaniga, Don Giovanni, o sia Il convitato di pietra

RCM Opera Studio

Michael Rosewell, Direction

Louise Bakker, Mise en scène

Becky-Dee Trevenen, Décors

RCM Symphony Orchestra

Marcus Swietlicki, Don Giovanni

Alexandra Dunaeva, Donna Anna

Georgia Melville, Donna Elvira

Ellen Pearson, Donna Ximena

Sam Harris, Duca Ottavio

Daniel Barrett, Pasquariello

Sam Hird, Biagio

Henna Mun, Maturina

David Fraser, Il Commendatore

Benedict Munden, Lanterna

Hedging its bets: La finta giardiniera at the Royal College of Music

Dominic Lowe, 16th March

Mozart's teenage comedy is more complicated then Figaro but is easy on the ear, with many opportunities for a young cast to shine.

***11

Nightmares dressed as daydreams: Respighi and Ravel at the RCM

Dominic Lowe, 13th March

An opportunity to hear one of Respighi's operas in the UK is a real treat; the composer's take on Sleeping Beauty, La bella dormente nel bosco, is an ideal companion to to Ravel's L'Enfant et les sortilèges in a terrific double bill at the Royal College of Music.

****1

Candy and Communism: Hänsel und Gretel at the Royal College of Music

Dominic Lowe, 14th March

A new production of Humperdinck's charming fairy-tale opera is always to be welcomed, particularly when performed with such enthusiasm by the students of the Royal College of Music.

****1

Tuneful desert island fun: Robinson Crusoe at the RCM

David Karlin, 13th March

A delicious evening which showed off its young talent to best advantage and made us want more Offenbach.

****1

La Lucie superlative de Sabine Devieilhe à l'Opéra-Comique

Jean-Pierre Rousseau, 30th April

Présentée pour la première fois à Paris depuis 2002, la version française de l'opéra de Donizetti bénéficie d'une exceptionnelle Sabine Devieilhe dans le rôle-titre. Le point noir est la mise en scène d'Evgeny Titov.

****1

Le Villi à Nice : Puccini dans les brumes d’un conte noir

Manon Decroix, 30th April

La mise en scène de Stefano Poda fait de cet opéra de jeunesse de Puccini un véritable conte noir, dans une vision à la fois introspective, fantastique et intemporelle.

****1

Plus de critiques...

Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

The other Don Giovanni: Gazzaniga's take on the legendary lothario at the RCM