The inescapable burden of loss: Osvaldo Golijov’s Falling Out of Time

Nora Fischer and ensemble

Par Kevin Wells, 03 mai 2023

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Critique faite à Symphony Hall, Boston, le 30 avril 2023

Golijov, Falling out of Time (semi-staged)

Biella da Costa, Soprano

Nora Fischer, Soprano

Yoni Rechter, Voix

Dan Brantigan, Trompette

Shawn Conley, Basse

Jeremy Flower, Électronique

Johnny Gandelsman, Violon

Mario Gotoh, Alto

Kayhan Kalhor, Kemenche

Karen Ouzounian, Violoncelle

Shane Shanahan, Percussions

Mazz Swift, Violon

Wu Man, Pipa

Silk Road Ensemble

Ein farbenprächtiges Geburtstagskonzert für Louis Andriessen

Michael Klier, 30th November

Dirigent Bas Wiegers rettet Louis Andriessens Geburtstagsfest mit dem Radio Filharmonisch Orkest.

***11

Prom 67: premieres and sublime Sibelius from Oramo and the BBCSO

Roy Westbrook, 8th September

Who would have thought celebrating a Black Mass could be quite such fun?

****1

A colourful and fast-paced revue in Amsterdam

Nicolas Nguyen, 24th March

Mohammed Fairouz’s second opera, The New Prince, premiered in Amsterdam, is directed by Lotte de Beer as a colourful, dizzyingly fast-paced revue.

***11

Pulsating new Andriessen at Holland Festival

Jenny Camilleri, 11th June

Louis Andriessen’s new opera is a masterly expedition into the grand and grotesque mind of Athanasius Kircher, polymath and fantastist, but it is hampered by a clumsy libretto.

***11

Minimalist Oidípous doesn't quite hypnotise

David Pinedo, 29th June

Pierre Audi's final Holland Festival closes with Calliope Tsoupaki's new ancient Greek oratorio about Oedipus.

***11

Osvaldo Golijov and the St Lawrence Quartet cross cultures at Zankel Hall

Meg Wilhoite, 4th February

Born in Argentina to Eastern European Jewish parents, composer Osvaldo Golijov certainly brings many cultural influences to the musical table, influences that shone through in the three works of his performed at Zankel Hall on Monday night.

****1

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Kevin Wells

Kevin Wells was bitten by the opera bug at 10, having heard a 1936 recording of Jussi Björling singing “Che gelida manina”. He has never been the same since. A student of voice, performance practice, the history of singing and opera, he holds advanced degrees in Italian and has lived and worked in Italy off and on since the 70s. La Scala became a second home as the Met had been during college daze. Now in his native Boston, he works as translator, tutor, and language coach, haunts Symphony Hall, and would haunt the Opera House had it not been demolished in 1958!