Bachtrack logo
Agenda
Tous les spectaclesConcertsOpéraDanseEnfantsMaster classesConcoursFestivals
Critiques
Toutes les critiquesCritiques concertCritiques opéraCritiques danse
Articles
Tous les articlesDossiersInterviewsOpinionPlaylist
Actualités
Vidéo
Accueil VidéoTous les vidéosStreamingConcertsOpéraDanseEnfantsMaster classesÉditeurs
Site
À proposNous contacterRenvoi vers notre siteConditions d'utilisationCookiesConfidentialité
Jeunes artistes
Voyage
AgendaCritiquesArticlesVidéo

Immortal thoughts: Mortal Voices from The Academy of Ancient Music in Cambridge

Par Charlotte Valori, 21 février 2018
Chargement en cours, veuillez patienter...
Voir le listing complet
“Mead and Fuge each gave us a pure, searing sound, full of emotion and drama”
Critique faite à West Road Concert Hall, Cambridge, le 16 février 2018
Programme
Corelli, Concerto grosso en ré majeur, Op.6 no. 1
Haendel, Ah che troppo ineguali, HWV 230
Haendel, Il duello amoroso, HWV 82
Pergolesi, Stabat Mater
Artistes
Keri Fuge, Soprano
Tim Mead, Contre-ténor
Academy of Ancient Music
Christian Curnyn, Direction
Voir plus de critiques Concert
Cummings and the AAM win ‘Leipzig's Got Talent’
Nick Boston, 16th April
The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor. 
*****
Freudian slip: Handel’s Tamerlano recast as Trumpian tantrums
Mark Pullinger, 26th March
Opha Phelan’s staging presents the action as a grand, Freudian social experiment. It’s a risk – but the production is lifted by outstanding performances from the cast and the Academy of Ancient Music.
***11
Ed Lyon excels in Monteverdi’s Songs of Love and War
Stephen Pritchard, 12th February
Tenor Ed Lyon fulfils a long-held ambition to sing Monteverdi's Eighth Book of Madrigals, conducted by his former teacher, Laurence Cummings at Milton Court.
*****
Strong team for a Good Friday St John Passion
Roy Westbrook, 18th April
The greatest music of the 18th century – no arguments, please – is given a fine reading at London's Barbican. 
****1
Academy of Ancient Music delivers a majestic Messiah
Charlotte Gardner, 16th December
Laurence Cummings and the AAM serve up Messiah-shaped serenity at the Barbican. 
****1
Actéon and Pygmalion: three transformations for the price of two
Roy Westbrook, 9th October
Ovid’s Metamorphoses makes an ideal curtain-raiser to the Academy of Ancient Music's new season, with works by Charpentier and Rameau conducted by Laurence Cummings... who also sings! 
****1
Plus de critiques...
Lire critiques de
Academy of Ancient MusicArcangelo CorelliChristian CurnynConcerto grosso en ré majeur, Op.6 no. 1Georg Friedrich HaendelGiovanni Battista PergolesiKeri FugeStabat MaterTim Mead
Articles connexes
Loading image...
Ben Glassberg, sa dépression et son retour à la musique
Loading image...
De la Monnaie à Colmar : Alain Altinoglu, bon prophète en ses pays
Loading image...
L’envol du phénix : Samy Rachid, du Quatuor Arod au Boston Symphony
Loading image...
« Le chef providentiel n’existe pas » : entretien avec Louis Langrée
Charlotte Valori
Charlotte Valori
Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.