Glyndebourne revives Michieletto’s Kátya Kabanová

Miryam Tomè (Angel), Kateřina Kněžíková (Kátya) and Rachael Wilson (Varvara)

Charles Cunliffe (Kuligin), John Tomlinson (Dikoj), Sam Furness (Kudrjáš) and Miryam Tomè (Angel)

Miryam Tomè (Angel), Kateřina Kněžíková (Kátya) and Nicky Spence (Boris)

John Tomlinson (Dikoj) and Susan Bickley (Kabanicha)

Par Mark Valencia, 04 août 2025

Chargement en cours, veuillez patienter...

Voir le listing complet

“they hand in their personalities at the door and chase symbols instead”

Critique faite à Glyndebourne Opera House, Glyndebourne, le 3 août 2025

Janáček, Katia Kabanova

Glyndebourne Festival Opera

Robin Ticciati, Direction

Damiano Michieletto, Mise en scène

Paolo Fantin, Décors

Carla Teti, Costumes

Alessandro Carletti, Lumières

London Philharmonic Orchestra

The Glyndebourne Chorus

Eleonora Gravagnola, Revival Director

Kateřina Kněžíková, Katia

Susan Bickley, Kabanicha

Jaroslav Březina, Tichon

Sir John Tomlinson, Dikoï

Nicky Spence, Boris

Sarah Pring, Glacha

Rachael Wilson, Varvara

Sam Furness, Koudriach

Rachel Roper, Fekloucha

Charles Cunliffe, Kouliguine

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

Philosophy trumps passion in Glyndebourne’s Tristan

Dominic Lowe, 29th July

Magnificent conducting from Robin Ticciati and fine singers make Glyndebourne's latest revival of Lehnhoff’s production musically rewarding, but cerebral philosophical elevation overpowers the earthy reality of lust and love.

***11

Plus de critiques...

Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.

An overgrown path to cliché-ville: Glyndebourne revives Michieletto’s Kátya Kabanová