The Knights and Edgar Meyer do not disappoint at 92nd Street Y

Edgar Meyer and The Knights

The Knights

Par David Wolfson, 01 mai 2022

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“in The Knights’ hands, it spoke to the myths we tell ourselves about the communities we create”

Critique faite à The 92nd Street Y: Kaufmann Concert Hall, New York, le 30 avril 2022

Alberga, Shining Gate of Morpheus

Meyer, Concerto no. 3 in E major for Double Bass and Orchestra

Copland, Appalachian Spring, pour ensemble de musique de chambre

Edgar Meyer, Contrebasse

The Knights

Eric Jacobsen, Direction

David Byrd-Marrow, Cor

The Knights on the eve of war at Carnegie Hall

Kurt Gottschalk, 29th February

An evening on the outskirts of war treat Ravel, Brecht and Weill, Bob Dylan and Chico Buarque and a Du Yun premiere with spirit and revelry.

***11

Chris Thile and The Knights charm Zankel Hall

David Wolfson, 26th October

Chris Thile and the Knights combine virtuosity and informality, classical music, bluegrass and other genres at Zankel Hall, including Thile’s virtuoso shaggy dog story ATTENTION!

****1

The Knights open 92nd St Y residency with a transcendent Lark

David Wolfson, 11th December

A peripatetic program from The Knights spanning three continents and nearly two centuries, played with an appealing immediacy.

****1

A satisfying “Pocket” Beethoven in a Brooklyn cemetery

David Wolfson, 25th June

Death of Classical’s presentation of Gil Shaham and The Knights playing a “Pocket Edition” of Beethoven’s Violin Concerto at Green-Wood Cemetery strove for a festive feel, and did admirably at fulfilling that promise

****1

A night of light entertainment with the Knights at Carnegie Hall

Kurt Gottschalk, 3rd April

With an old swing tune, a retrofitted Ligeti piece, a Syrian wedding and a Vivaldi sinfonia, the Knights mixed old and new without quite blending the two.

***11

Baroque and minimalism juxtaposed in Glass Handel

Edward Sava-Segal, 26th November

Costanzo supposed to be the unifying factor of the performance, but he wasn’t always able to surpass the numerous distractions.

***11

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David Wolfson

David Wolfson holds a PhD in composition from Rutgers University, and has taught at Rutgers University, Montclair State University and Hunter College. He is enjoying an eclectic career, having composed opera, musical theatre, touring children’s musicals, and incidental music for plays; choral music, band music, orchestral music, chamber music, art songs, and music for solo piano; comedy songs, cabaret songs and one memorable score for an amusement park big-headed-costumed-character show. You can find more information here.