Kronos Quartet at the Hackney Empire

Par Arthur Keegan-Bole, 27 janvier 2012

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Critique faite à Hackney Empire, Londres, le 24 janvier 2012

Dessner, Aheym (Homeward)

Mazzoli, Harp and Altar (UK première)

Braxton, Uffe's Woodshop (European première)

Monk, Round Midnight (arr. Randall Woolf)

musique traditionnelle, Smyrneiko Minore (arr. Jacob Garchik)

Riley, Another Secret eQuation (London première)

Gordon, Exalted (London première)

Crumb, Black Angels

Kronos Quartet

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Kurt Gottschalk, 21st October

The program, drawn from Kronos’s 50 for the Future commissions, ranged from the exotic to the complex, with students joining in for a Philip Glass string orchestra finale.

****1

An alluring Common Ground

Jaime Robles, 6th October

Abstract ballet always asks the question of meaning, and Alonzo King Lines Ballet is one of the few companies that answers that question with existential exactness.

*****

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Leopold Tobisch, 13th November

Five hours of repetitive music on a Sunday evening may be a hellish way for some to end the week; fortunately, I belong in the second category. A concert series named “Steve Reich Unlimited” therefore required no further selling points.

****1

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Leopold Tobisch, 7th July

Philip Glass performs his music to the film Dracula, alongside the Kronos Quartet at the Philharmonie de Paris.

***11

Landfill: Laurie Anderson and the Kronos Quartet

Leopold Tobisch, 26th April

Laurie Anderson takes us on a dizzying journey in her weirdly wonderful Landfall, performed with the Kronos Quartet.

****1

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Jacob Slattery, 7th March

If the Kronos Quartet had their way, every new slice of contemporary music would be a string quartet. In the basement of Carnegie Hall, the Kronos Quartet premiered three new works and one newish work to celebrate the life of Kronos’ dear friend, Larry Neff.

****1

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Arthur Keegan-Bole

Arthur is a composer currently focusing on opera. His desire to promote contemporary music led him to set up and co-edit The Octogenarian, a light-hearted classical music review pamphlet distributed in Bristol and to curate the annual CMV series of concerts.