The other Lulu: a Danish rarity in Copenhagen

Par Aksel Tollåli, 05 février 2018

Chargement en cours, veuillez patienter...

Voir le listing complet

“a weird and wonderful world of badminton-playing fairies and flamboyant villains”

Critique faite à The Old Stage, The Royal Theatre, Copenhague, le 4 février 2018

Kuhlau, Lulu

Opéra royal danois

Sébastien Rouland, Direction

Christian von Götz, Mise en scène

Lukas Noll, Décors

Sarah Mittenbühler, Costumes

Gert Henning-Jensen, Lulu

Dénise Beck, Sidi

Sofie Elkjær Jensen, Vela

Henning von Schulman, Dilfeng

Michael Kristensen, Barca

Siri Wolthoorn, Danse

Tito désabusé dans le spectacle de Jetske Mijnssen à Copenhague

Irma Foletti, 13th September

Une distribution vocale de très bon niveau, un orchestre en excellente forme, une mise en scène convaincante : la nouvelle production de l'opus mozartien à l'Opéra royal du Danemark est une réussite.

****1

L'Aida caricaturale d'Annabel Arden à Copenhague

Irma Foletti, 12th September

Si la direction musicale de Paolo Carignani, l'orchestre et les chœurs impressionnent, l'ensemble de la production est plombé par une mise en scène caricaturale, tandis que la distribution laisse une impression mitigée.

**111

Chiaroscuro extinguished: a self-indulgent Poppea in Copenhagen

Mengguang Huang, 26th April

Christoph Marthaler’s staging of Monteverdi’s Poppea for the Royal Danish Opera is a study in boredom.

**111

Britten’s The Turn of the Screw in Copenhagen

David Karlin, 6th October

Anthony Almeida and Rosanna Vize's deconstructed ghostly country house provides plenty of tension; fine vocal qualities are marred by poor intelligibility.

***11

Carl Nielsen’s Maskarade: Love in the time of selfies

Aksel Tollåli, 18th April

Kasper Holten's production of Carl Nielsen's delightful comedy Maskarade delights in Copenhagen.

***11

The king is not well: Nielsen’s Saul og David

Aksel Tollåli, 17th April

The Royal Danish Opera's new production of Carl Nielsen's first opera Saul og David updates the action to the present-day Middle east and, while well-sung, comes off as overly simplistic.

**111

Plus de critiques...

Aksel Tollåli

Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.