Virtuoso dancing in Hungarian National Ballet's Laurencia

Par Graham Watts, 11 mars 2020

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“Tatiana Melnik is a rare jewel in the company’s crown”

Critique faite à Erkel Színház (Erkel Theatre), Budapest, le 6 mars 2020

Laurencia (Vakhtang Chabukiani, Mikhail Messerer)

Hungarian National Ballet

Pavel Sorokin, Direction

István Rózsa, Décors

Nóra Rományi, Costumes

Tatiana Melnik, Danse

Gergely Leblanc, Danse

Cristina Balaban, Danse

Lili Felméry, Danse

Iurii Kekalo, Danse

Jessica Carulla Leon, Danse

Orchestre de l'Opéra d'État hongrois

The Hungarian National Ballet brings its Don Quixote to New York

Janet Ward, 9th November

In addition to providing a showcase for the principals, the ballet provides ample opportunity for the company's soloists to shine.

****1

Kyiv City Ballet: seeking peace through heartfelt performances

Vikki Jane Vile, 28th September

In February 2022, Kyiv City Ballet embarked upon a three week tour of France having finally recovered from scheduling disruption due to COVID, and haven't been back since.

***11

Excuses to dance: The Mikhailovsky Ballet's Laurencia at the Coliseum

Margaret Willis, 2nd April

The story may be a bit thin but the quantity of its dancing makes up for it. Laurencia is a ballet little known in the west (though the Mikhailovsky Ballet brought it to London in 2010). Combining the jollities of Don Quixote with the revolutionary fervour found in Flames of Paris, Laurencia is really just an excuse to fill the stage with non-stop dancing.

****1

Csaba Polgár tries to make the best of La Fille du régiment

George Jahn, 29th January

Zita Szemere is a wonderfully ebullient Marie, but the new production at the Hungarian State Opera merits a mixed report card.

***11

Bánk bán evokes the loneliness of the Magyars at the Erkel Theatre

George Jahn, 31st October

Considered Hungary's national opera, Ferenc Erkel's Bánk bán rarely travels beyond its borders, but is given a rousing performance by the Hungarian State Opera.

***11

No salvation: Budapest Don Carlo paints a dark picture of humanity

Ako Imamura, 20th February

The Hungarian State Opera presents a new modern production of Don Carlo by a director who depicts the historical cruelty as very much present in our world today.

****1

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.