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From the sublime to gobbling turkeys: The MET Chamber Ensemble at Carnegie Hall

Par Rebecca Lentjes, 11 mars 2015
Chargement en cours, veuillez patienter...
Voir le listing complet
Critique faite à Carnegie Hall: Zankel, New York, le 8 mars 2015
Programme
Stravinsky, Octuor pour vents
Ives, From the Steeples and the Mountains
Ives, Scherzo "Over the Pavements"
Carter, The American Sublime (World première)
Cage, Atlas eclipticalis
Wuorinen, It Happens Like This
Artistes
MET Chamber Ensemble
James Levine, Direction
Evan Hughes, Baryton-basse
Charles Wuorinen, Direction
Voir plus de critiques Concert
James Levine’s wand still works its magic
Edward Sava-Segal, 20th March
James Levine conducts the MET Chamber Orchestra in the intimate setting of the Weill Recital Hall
****1
Metropolitan Opera pays tribute to Hvorostovsky
Ako Imamura, 24th November
The Met Opera's concert performance of Verdi's Requiem was an emotional tribute to Dmitri Hvorostovsky. 
***11
What the conductor tells me: impeccably controlled Mahler
Hugo Shirley, 31st October
James Levine brings masterful control to Mahler with the Staatskapelle in the Philharmonie.
****1
Flute still mesmerizing at The Met
Edward Sava-Segal, 10th October
The musical experience was dominated by the imagery making spectators feel, at least at times, overwhelmed.
****1
A Rosenkavalier for the radio
Robert Levine, 17th April
There are several things wrong with the new Robert Carsen directed Der Rosenkavalier that just opened at the Met, but the singing is not among them.
***11
Orchestra shines in uneven Idomeneo at the Met
Ako Imamura, 6th March
Mozart's Idomeneo proved to be a challenge for some of the soloists initially but the superb orchestra under James Levine brought about a successful opening evening at the Met.
***11
Plus de critiques...
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Atlas eclipticalisCharles IvesCharles WuorinenElliott CarterEvan HughesIgor StravinskyJames LevineJohn CageMET Chamber EnsembleOctuor pour vents
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Rebecca Lentjes
Rebecca Lentjes
Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.