Mexican flavours infuse Wheeldon's Like Water for Chocolate

Francesca Hayward (Tita)

Anna Rose O'Sullivan (Gertrudis) and Cesar Corrales (Juan Alejandrez)

Francesca Hayward (Tita) and Marcelino Sambé (Pedro)

Laura Morera (Mama Elena) and Marcelino Sambé (Pedro)

Marcelino Sambé (Pedro)

Par Graham Watts, 05 juin 2022

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“bringing the pacy momentum of musical theatre into classical ballet”

Critique faite à Royal Opera House, Covent Garden, Londres, le 2 juin 2022

Like Water for Chocolate (Christopher Wheeldon)

The Royal Ballet

Alondra de la Parra, Direction

Bob Crowley, Décors

Natasha Katz, Lumières

Orchestra of the Royal Opera House Covent Garden

Luke Halls, Vidéaste

Tomás Barreiro, Guitare

Siân Griffiths, Mezzo-soprano

Francesca Hayward, Danse

Laura Morera, Danse

Marcelino Sambé, Danse

Mayara Magri, Danse

Anna Rose O'Sullivan, Danse

Christina Arestis, Danse

Matthew Ball, Danse

Cesar Corrales, Danse

Gary Avis, Danse

Isabella Gasparini, Danse

Les « Racines » inégales du Ballet de l’Opéra de Paris à Bastille

Laurine Mortha, 6th October

Entre une pièce des années 1950 de Balanchine et les deux créations récentes des chorégraphes Mthuthuzeli November et Christopher Wheeldon, le programme mixte néo-classique produit un effet mitigé.

***11

Alvin Ailey American Dance Theater: Programme Y

Anne-Laure Faubert, 8th July

A l’occasion de la 13° édition des Etés de la Danse, l'Alvin Ailey American Dance Theater prend ses quartiers à la Seine Musicale.

Un hommage à Pierre Boulez hétéroclite

Laurine Mortha, 5th December

Avec une soirée mixte réunissant les chorégraphies de Christopher Wheeldon, Wayne McGregor et Pina Bausch, l’Opéra de Paris rend hommage au compositeur et chef d’orchestre contemporain Pierre Boulez.

****1

Atlanta Ballet shines in a mixed contemporary program

Rebecca Ehrhardt, 3rd April

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.

*****

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

The Royal Ballet’s Like Water for Chocolate is sumptuous but complex

Amanda Jennings, 1st October

The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.

****1

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

Mexican flavours infuse Wheeldon's Like Water for Chocolate for The Royal Ballet