Lisiecki brings New Year's Eve sparkle to Wrocław

Par Jonathan Sutherland, 04 janvier 2017

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“Despite his youth, Lisiecki brought remarkable maturity to the concerto”

Critique faite à National Forum of Music: Main Hall, Wrocław, le 31 décembre 2016

Szymanowski, Ouverture de concert en mi majeur, Op.12

Grieg, Concerto pour piano en la mineur, Op.16

Chopin, Nocturne en ut dièse mineur, «Lento Con Gran Espressione», Op.posth

Dvořák, Symphonie no. 9 en mi mineur, «du Nouveau Monde», Op.95

Strauss I, Marche de Radetzky, Op.228

Daniel Raiskin, Direction

Jan Lisiecki, Piano

NFM Wrocław Philharmonic

L’Enfance du Christ au berceau de Berlioz à La Côte-Saint-André

Irma Foletti, 30th August

Pas d'opéra cette année au Festival Berlioz mais l'oratorio du compositeur éponyme, bien servi par les forces polonaises des chœur et orchestre du NFM de Wrocław placées sous la direction de Paul McCreesh.

****1

Radulović's Barber the highlight at NFM Wrocław

David Karlin, 18th May

Eiji Oue doesn't quite convince in Bernstein and Copland, but Samuel Barber's Violin Concerto proves a winner.

***11

Czech Janáček Philharmonic lift Cadogan Hall’s roof in Shostakovich

Roy Westbrook, 18th February

The Czech orchesta and Daniel Raiskin bring Janáček from Ostrava, along with evergreen Bruch and a noisy Shostakovich Tenth Symphony.

****1

Tchaikovsky's Fifth provides sumptuous feast in Hong Kong

Dr. Anton D. Luiten, 21st August

Structurally intricate and riddled with personal undercurrents, Tchaikovsky’s Symphony no. 5 was handled with a deft touch by conductor Daniel Raiskin.

***11

Oboe concertos from Gvantseladze and the Belgrade Philharmonic

Peter Connors, 6th December

Giya Kancheli's stunning oboe concerto Childhood Revisited was given as a tribute to the memory of the recently deceased composer in an intriguing and enjoyable concert.

****1

Andrey Baranov's powerful Shostakovich with the Belgrade Philharmonic

Peter Connors, 1st November

Andrey Baranov's stunning performance of Shostakovich's harrowing Violin concerto no. 1 with Daniel Raiskin and the Belgrade Philharmonic overshadowed the other items in the programme.

****1

Plus de critiques...

Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.

Jan Lisiecki brings New Year's Eve sparkle to Wrocław