The Met’s new Lucia: a good idea poorly executed by Simon Stone

Par Ako Imamura, 27 avril 2022

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“Lucia, in her white wedding gown drenched with blood, is reminiscent of the horror film, Carrie”

Critique faite à Lincoln Center: Metropolitan Opera House, New York, le 26 avril 2022

Donizetti, Lucia di Lammermoor (Lucie de Lammermoor)

Metropolitan Opera

Riccardo Frizza, Direction

Simon Stone, Mise en scène

Lizzie Clachan, Décors

Alice Babidge, Costumes

James Farncombe, Lumières

The Metropolitan Opera Orchestra

The Metropolitan Opera Chorus

Nadine Sierra, Lucia (Lucie)

Javier Camarena, Edgardo (Edgard)

Artur Ruciński, Enrico (Henri)

Matthew Rose, Raimondo (Raymond)

Eric Ferring, Arturo (Arthur)

Deborah Nansteel, Alisa

Alok Kumar, Normanno

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Ako Imamura

Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to ﬁnance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.

The Met’s new Lucia di Lammermoor: a good idea poorly executed by Simon Stone