NYCB's winter season begins with Peck's brand new “sneaker ballet”

Par Ivy Lin, 28 janvier 2022

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“NYCB dancers are very at-home in this idiom... threw themselves wholeheartedly into this ballet”

Critique faite à Lincoln Center: David H Koch Theater, New York, le 27 janvier 2022

Partita (Justin Peck)

Summerspace (Merce Cunningham)

DGV: Danse à Grand Vitesse (Christopher Wheeldon)

New York City Ballet

Tiler Peck, Danse

Ashley Hod, Danse

Claire Kretzschmar, Danse

India Bradley, Danse

Harrison Coll, Danse

Taylor Stanley, Danse

Chun Wai Chan, Danse

Roman Mejia, Danse

Emilie Gerrity, Danse

Sara Adams, Danse

Adrian Danchig-Waring, Danse

Ashley Laracey, Danse

Sebastián Villarini-Vélez, Danse

Isabella LaFreniere, Danse

Jovani Furlan, Danse

Mira Nadon, Danse

L’élan vital de Crystal Pite triomphe à Garnier

Laurine Mortha, 26th September

Une nouvelle saison s’ouvre à l’Opéra Garnier, avec une soirée réunissant les chorégraphies de Justin Peck et William Forsythe créées l’année dernière, la création de la talentueuse chorégraphe canadienne Crystal Pite The Seasons’ Canon, et une composition sans titre de Tino Sehgal

****1

L.A. Dance Project au TCE

Laurine Mortha, 15th September

L.A. Dance Project, collectif fondé et dirigé par Benjamin Millepied, est de retour à Paris au Théâtre des Champs Elysées avec un programme néoclassique mêlant Martha Graham, William Forsythe, Justin Peck et Benjamin Millepied.

***11

Peck / Balanchine, Opéra de Paris

Jade Larine, 2nd July

Ce Quartet chorégraphié semble consigner les souvenirs d'enfance de George Balanchine.

***11

Ratmansky/Robbins/Balanchine/Peck au Palais Garnier

Laurine Mortha, 2nd April

Le Ballet de l’Opéra de Paris présente une nouvelle soirée néoclassique qui met à l’honneur trois générations de chorégraphes : Georges Balanchine, Jerome Robbins et les chorégraphes contemporains Alexeï Ratmansky et Justin Peck.

***11

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Plus de critiques...

Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)

NYCB's winter season begins with Justin Peck's brand new “sneaker ballet”