Norwegian National Ballet: Nothing Personal is powerfully moving

Daniel Proietto, Yvonne Øyen, Aarne Kristian Ruutu and ballet school students in Nothing Personal

Daniel Proietto as Patos in Alan Lucien Øyen's Nothing Personal

Alan Lucien Øyen's Nothing Personal

Daniel Proietto, Yvonne Øyen and Nathaniel Liodden in Nothing Personal

Alan Lucien Øyen's Nothing Personal

Par Graham Watts, 15 octobre 2023

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“This Goldstein-inspired scene was made more powerful by the role reversal in their voices”

Critique faite à Oslo Opera House, Main Stage, Oslo, le 12 octobre 2023

Nothing Personal (Alan Lucien Øyen, Daniel Proietto)

Ballet National de Norvège

Solrey, Direction

Åsmund Færavaag, Décors

Ingrid Nylander, Costumes

Martin Flack, Lumières, Vidéaste

Norwegian National Opera Orchestra

Maliphant’s Landscapes: three solos, three outstanding dancers

Graham Watts, 11th March

Some of Russell Maliphant's best known, most enduring and loved works in an evening of unforgettable performances.

****1

Alan Lucien Øyen's Still Life: visions of ethereal beauty

Maggie Foyer, 26th May

Totally riveting, in Still Life the dancers move in ways that are thought-provoking and eloquent, underpinning the message that to be human is to be at one with nature.

****1

Daniel Proietto's RASA premieres at Ballet Vlaanderen

Graham Watts, 7th February

An operatic deconstruction of La Bayadère in Ghent that has ingenuity and flair but is also over-stretched.

***11

Men in Motion

Graham Watts, 22nd November

Outstanding examples of men dancing are book-ended by two new works that are badly misjudged as a means of entertainment

**111

Natalia Makarova's La Bayadère: a night to remember in Oslo

Vikki Jane Vile, 17th April

Norwegian National Ballet gives a marvellous rendition of Natalia Makarova's La Bayadère. Opening night in Oslo was a strong argument for its place in any season, displaying ballet escapism at its best.

****1

Norwegian National Ballet’s Hedda Gabler: intense physicality

Graham Watts, 7th February

A visually captivating production, Marit Moum Aune’s Hedda Gabler celebrates Norway’s literary giant through a process of innovation by collaboration, bringing with it superlative and memorable central performances.

*****

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.