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Abstract and compelling: Audi's Götterdämmerung in Amsterdam

Par Nicolas Nguyen, 19 novembre 2013
Chargement en cours, veuillez patienter...
Voir le listing complet
Critique faite à Dutch National Opera and Ballet, Amsterdam, le 17 novembre 2013
Programme
Wagner, Crépuscule des dieux (Götterdämmerung)
Artistes
Dutch National Opera
Hartmut Haenchen, Direction
Pierre Audi, Mise en scène
George Tsypin, Décors
Catherine Foster, Brünnhilde
Stephen Gould, Siegfried
Alejandro Marco-Buhrmester, Gunther
Kurt Rydl, Hagen
Astrid Weber, Troisième Norne
Barbara Senator, Wellgunde
Machteld Baumans, Woglinde
Bettina Ranch, Flosshilde
Michaela Schuster, Waltraute
Nicole Piccolomini, Première Norne
Werner Van Mechelen, Alberich
Netherlands Philharmonic Orchestra
Chœur du Dutch National Opera
Eberhard Friedrich, Chef de chœur
Voir plus de critiques Opéra
Weinberg’s The Passenger at Dutch National Opera
Clare Varney, 17th April

Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix. 

****1
Dutch National Ballet's reimagined La Bayadère triumphs
Mark Vicente, 26th March
Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.
****1
Michel van der Aa’s Theory of Flames: defining opera for a modern age
Clare Varney, 6th March

British singers Mary Bevan and Roderick Williams lead the cast in Dutch National Opera’s latest ground-breaking opera, merging live music with pre-recorded film and electronics.

****1
Dutch National Ballet brings much needed heat to this winter season
Mark Vicente, 10th February
The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.
****1
Malin Byström brilliert bei Isolde-Debüt in Amsterdam
Phillip Richter, 8th February
Die schwedische Sopranistin gibt ihr spannungsumwobenes Debüt als Isolde in Pierre Audis zeitloser Inszenierung.
*****
Semele at Dutch National Opera: myth, desire and fantasy
Mengguang Huang, 23rd January

Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

****1
Plus de critiques...
Lire critiques de
Alejandro Marco-BuhrmesterAstrid WeberBarbara SenatorBettina RanchCatherine FosterChœur du Dutch National OperaCrépuscule des dieux (Götterdämmerung)Dutch National BalletDutch National OperaEberhard FriedrichGeorge TsypinHartmut HaenchenKurt RydlMachteld BaumansMichaela SchusterNetherlands Philharmonic OrchestraNicole PiccolominiPierre AudiRichard WagnerStephen GouldWerner Van Mechelen
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Nicolas Nguyen
Nicolas Nguyen
Nicolas is a French Amsterdammer, e-commerce professional and a bit of an opera buff. His experience in the area of music is that of a dilettante. His passion for the opera and vocal music comes from his love for both music and languages which are so perfectly combined in these art forms.