Two-by-two in Stratford East: Britten's Noye's Fludde on location

Par Mark Valencia, 04 juillet 2019

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“if you’re willing to be manipulated there’s a wondrous hour in store”

Critique faite à Theatre Royal Stratford East, Londres, le 3 juillet 2019

Britten, Noye's Fludde (Chester mystery play)

English National Opera

Lyndsey Turner, Mise en scène

Marcus Farnsworth, Mr Noye

Louise Callinan, Mrs Noye

Suzanne Bertish, The Voice of God

Sarah Dowling Dance Company

English National Opera Orchestra

Reality television: ENO’s Angel’s Bone in Manchester

Lawrence Dunn, 12th May

Kip Williams and ENO mount an extraordinary new production of Du Yun and Royce Vavrek’s multifaceted opera, with performances of great emotional directness broadcast live on camera.

*****

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

David Karlin, 1st November

Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

*****

Comedy falls flat in ENO's season opening Cinderella

Mark Valencia, 27th September

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

**111

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.