Cavalli’s delightful L’Ormindo graces new Globe playhouse

Par Francesca Vella, 30 mars 2014

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Critique faite à Sam Wanamaker Playhouse, Londres, le 26 mars 2014

Cavalli, L'Ormindo

The Royal Opera

Christian Curnyn, Direction

Kasper Holten, Mise en scène

Anja Vang Kragh, Costumes

Samuel Boden, Ormindo

Ed Lyon, Amidas

Joélle Harvey, Sicle, La Fortuna

Graeme Broadbent, Ariadenus

Susanna Hurrell, Erisbe, L'Armonia

Rachel Kelly, Mirinda

Harry Nicoll, Eryka

Ashley Riches, Osman

James Laing, Nerillus, Cupid

The Turn of the Screw at RBO Linbury: Darkness and denial

Eleanor Knight, 26th March

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.

*****

A riveting Rigoletto revival at the Royal Opera House

Dominic Lowe, 25th March

Sir Mark Elder celebrates 50 years at Covent Garden by returning to his first opera there in 1976 – Verdi's Rigoletto – in a revival of Oliver Mears' excellent 2021 production.

****1

Siegfried at the RBO: Kosky and Pappano surprise and delight

David Karlin, 17th March

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

*****

Terfel’s craggy Boris Godunov returns to Covent Garden

Mark Pullinger, 29th January

The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the Welsh knight.

****1

Ermonela Jaho returns in triumph to The Royal Opera’s Traviata

Mark Valencia, 8th January

Richard Eyre’s 32-year-old production is rarely out of The Royal Opera’s repertoire for more than a few months at a time, but this particular revival proves very special.

*****

Turandot drowned in an orchestral tsunami at The Royal Opera

David Karlin, 15th December

Andrei Șerban’s 40 year old take on Puccini's tale of the ice princess largely stands the test of time, but Netrebko and Eyvazov are short of their best form.

***11

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Francesca Vella

Francesca is a PhD student at KCL, where she is researching Verdi reception in late nineteenth-century Milan. Besides being interested in cultural history and the history of Italian opera, she loves the classical and romantic piano and chamber music repertoire.