Cavalli’s delightful L’Ormindo graces new Globe playhouse

Par Francesca Vella, 30 mars 2014

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Critique faite à Sam Wanamaker Playhouse, Londres, le 26 mars 2014

Cavalli, L'Ormindo

The Royal Opera

Christian Curnyn, Direction

Kasper Holten, Mise en scène

Anja Vang Kragh, Costumes

Samuel Boden, Ormindo

Ed Lyon, Amidas

Joélle Harvey, Sicle, La Fortuna

Graeme Broadbent, Ariadenus

Susanna Hurrell, Erisbe, L'Armonia

Rachel Kelly, Mirinda

Harry Nicoll, Eryka

Ashley Riches, Osman

James Laing, Nerillus, Cupid

Richard Jones’ clunky Samson et Dalila returns to Covent Garden

Dominic Lowe, 13th May

With Aigul Akhmetshina and Seokjong Baek in the title roles, there are reasons to be optimistic, but The Royal Opera’s revival of Richard Jones’ production is a mixed bag.

***11

Peter Grimes drops anchor again at The Royal Opera

Christopher Woodley, 5th May

Allan Clayton and Sir Bryn Terfel lead a strong cast in a revival of Deborah Warner's dark staging of Britten's signature work at Covent Garden.

****1

Two funerals and a bedding at the Linbury Theatre

Eleanor Knight, 1st May

Tales of love and loss as operas by Elena Langer, Charlotte Bray and Elizabeth Maconchy form a varied triple bill in this showcase for The Royal Opera’s Jette Parker Artists.

****1

The Turn of the Screw at RBO Linbury: Darkness and denial

Eleanor Knight, 26th March

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.

*****

A riveting Rigoletto revival at the Royal Opera House

Dominic Lowe, 25th March

Sir Mark Elder celebrates 50 years at Covent Garden by returning to his first opera there in 1976 – Verdi's Rigoletto – in a revival of Oliver Mears' excellent 2021 production.

****1

Siegfried at the RBO: Kosky and Pappano surprise and delight

David Karlin, 17th March

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

*****

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Francesca Vella

Francesca is a PhD student at KCL, where she is researching Verdi reception in late nineteenth-century Milan. Besides being interested in cultural history and the history of Italian opera, she loves the classical and romantic piano and chamber music repertoire.