Prom 22: the calm before a devastating storm

Par Stephen Pritchard, 05 août 2019

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Critique faite à Royal Albert Hall, Londres, le 4 août 2019

Rachmaninov, The Isle of the Dead

Tarkiainen, Midnight Sun Variations (BBC commission: world premiere)

Chostakovitch, Symphonie no. 11 en sol mineur « L'année 1905 », Op.103

BBC Philharmonic Orchestra

John Storgårds, Direction

Prom 5 : Haydn, HK Gruber, Stravinsky

Julie Jozwiak, 20th July

Lundi 20 juillet se tenait au Royal Albert Hall le “Prom 5”. Au programme : une symphonie de Haydn, une création de HK Gruber et le ballet Petrouchka de Stravinsky, joués par le BBC Philharmonic et le percussionniste Colin Currie placés sous la baguette de John Storgårds. Une soirée agréable, mais pas incroyable.

***11

Wagner and Strauss from Sarah Wegener and the BBC Philharmonic

Leighton Jones, 14th March

Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.

****1

Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

****1

BBC Phil's Bluebeard's Castle eclipsed by Boulanger and Kodály

Peter Connors, 24th January

Anja Bihlmaier conducts the BBC Philharmonic in a moving D'un soir triste and joyful Dances of Galánta. Bluebeard's Castle, despite some fine things. feels less satisfying.

****1

Questions, answers and city nights: Storgårds and the BBC Philharmonic

Leighton Jones, 17th January

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives to the exhilaration of Adams, taking in Beethoven on their way.

****1

John Storgårds leads the BBC Philharmonic through Shostakovich

Rohan Shotton, 15th November

The BBC Phil's chief conductor led a relentless account of Shostakovich's Tenth Symphony, paired with Dvořák’s Cello Concerto.

****1

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Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.

Prom 22: Storgårds, the BBC Phil and the calm before a devastating storm