Prom 51: Passion and Brazilian flair from Alsop and the São Paulo Symphony Orchestra

Par Mark Thomas, 25 août 2016

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“the Proms equivalent of a closing ceremony”

Critique faite à Royal Albert Hall, Londres, le 24 août 2016

Nobre, Kabbalah, Op.96 (UK premiere)

Grieg, Concerto pour piano en la mineur, Op.16

Villa-Lobos, Bachianas Brasileiras no. 4: Prelude

Rachmaninov, Danses symphoniques, Op.45

Villa-Lobos, Valsa da dor

Lobo, Suite Popular Brasileira (Pé de Vento)

Gabriela Montero, Piano

São Paulo Symphony Orchestra

Marin Alsop, Direction

Saisissante Tosca

Beate Langenbruch, 11th December

Ainhoa Arteta, Stuart Neill et Nelson Martinez – un trio de solistes remarquables finement dirigé par Oleg Caetani dans une mise en scène de Marco Gandini.

*****

Daniel Lozakovich zieht das Amsterdamer Concertgebouw in seinen Bann

Michael Klier, 21st August

Der junge schwedische Ausnahmegeiger ist mit dem São Paulo Symphony Orchestra unter Thierry Fischer auf Europatournee.

****1

Epic Shostakovich 5 from Alsop and the São Paulo SO

David Smythe, 22nd August

Marin Alsop nods to her mentor in Bernstein’s Chichester Psalms, challenges the Edinburgh Festival Chorus with Villa-Lobos' Chôros 10 and astonishes in a passionate enduring performance of Shostakovich's Fifth.

****1

Colours, dreams and seascapes in São Paulo

Ivan Chiarelli, 5th December

Celso Antunes and Bertrand Chamayou present the evocative music of Debussy, Scriabin and Takemitsu with the São Paulo State Orchestra.

****1

Volmer/ OSESP present Sibelius, Adams and Beethoven

Ivan Chiarelli, 15th August

In a program conceived by composer and conductor John Adams, Sibelius’ Lemminkäinen Suite, Adams’ own Absolute Jest and Beethoven’s Symphony no. 7 sounded in sympathetic resonance with Charles Ives’ Three Places in New England.

****1

Literary influences in music in São Paulo

Ivan Chiarelli, 8th August

Jaime Martín conducts Antoine Tamestit and the OSESP in a night of literary inspired music by Berlioz, Turina and De Falla.

***11

Plus de critiques...

Mark Thomas

A lifelong devotee of classical music, Mark caught the bug after listening to The Planets, The Rite of Spring and Beethoven’s Fifth when he was knee-high to a grasshopper. He has degrees in non-musical subjects and currently works as a Chartered Governance Professional, but these have proved to be mere distractions from the wonders of sonatas, concertos and symphonies. He has been reviewing for Bachtrack since 2016, plays viola and violin (very shakily) and used to sing a bit (even more shakily).