ETO's Radamisto: Uneven Handel in Hackney

Par Stephen Pritchard, 08 octobre 2018

Chargement en cours, veuillez patienter...

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“Katie Bray's... incisive singing, scything through the semi-quavers, lifted the whole show”

Critique faite à Hackney Empire, Londres, le 6 octobre 2018

Haendel, Radamisto, HWV 12a, b

English Touring Opera

Peter Whelan, Direction

James Conway, Mise en scène

Adam Wiltshire, Décors

William Towers, Radamisto

Katie Bray, Zenobia

Grant Doyle, Tiridate

Ellie Laugharne, Polissena

Andrew Slater, Farasmane

John-Colyn Gyeantey, Tigrane

English Touring Opera Orchestra

Old Street Band

Rory Beaton, Lumières

Art imitates art in ETO’s bracing new Pagliacci

Dominic Lowe, 10th April

Divorced from Cavalleria rusticana, English Touring Opera’s contemporary take on Leoncavallo’s masterpiece ticks all the boxes.

****1

English Touring Opera transfers Donizetti to the English coast

Dominic Lowe, 27th September

L'elisir d'amore may not immediately bring Skegness or Romney to mind, but ETO's new production works quite well there... just look out for the seagulls!

***11

Blissful and hard-boiled: I Capuleti e i Montecchi at ETO

David Karlin, 22nd February

Eloise Lally shifts the Romeo and Juliet love story into New York mafia families. Jessica Cale and Samantha Price provide blissful bel canto as the star-crossed lovers.

****1

A tender Shakespeare-inspired curio from English Touring Opera

Susannah Moody, 15th February

ETO kicks off its spring season with What Dreams May Come, a strange and moving staging of songs inspired by William Shakespeare.

***11

Theatrically poverty-stricken: ETO's Blond Eckbert

Mark Valencia, 18th October

Judith Weir's cryptic folk opera lacks the narrative propulsion necessary to enthral an audience, and without resolution there is no catharsis.

**111

ETO's The Snowmaiden melts the heart and gladdens the ears

Dominic Lowe, 28th September

Olivia Fuchs' production of Rimsky-Korsakov's charming fable for ETO begins its tour in Hackney and is worth travelling to see. Catch this thoughtful production in a town near you.

****1

Plus de critiques...

Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.