McVicar’s subtle take Le nozze di Figaro returns to ROH

Par Francesca Vella, 03 mai 2014

Chargement en cours, veuillez patienter...

Voir le listing complet

“Camilla Tilling... sang with exquisite taste and control from the beginning to the end”

Critique faite à Royal Opera House, Covent Garden, Londres, le 2 mai 2014

Mozart, Les Noces de Figaro (Le nozze di Figaro)

The Royal Opera

Sir David McVicar, Mise en scène

David Syrus, Direction

Alex Esposito, Figaro

Camilla Tilling, Suzanne (Susanna)

Anna Bonitatibus, Chérubin (Cherubino)

Gerald Finley, le Comte Almaviva

Sally Matthews, la Comtesse Almaviva

Christophoros Stamboglis, le docteur Bartolo

Siegfried at the RBO: Kosky and Pappano surprise and delight

David Karlin, 17th March

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

*****

Terfel’s craggy Boris Godunov returns to Covent Garden

Mark Pullinger, 29th January

The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the Welsh knight.

****1

Ermonela Jaho returns in triumph to The Royal Opera’s Traviata

Mark Valencia, 8th January

Richard Eyre’s 32-year-old production is rarely out of The Royal Opera’s repertoire for more than a few months at a time, but this particular revival proves very special.

*****

Turandot drowned in an orchestral tsunami at The Royal Opera

David Karlin, 15th December

Andrei Șerban’s 40 year old take on Puccini's tale of the ice princess largely stands the test of time, but Netrebko and Eyvazov are short of their best form.

***11

Handel’s Ariodante returns home to Covent Garden

Roy Westbrook, 9th December

Jetske Mijnssen’s house debut sees Handel’s opera transposed to a modern-day palace, with Emily D'Angelo angelic in the title role.

****1

The Royal Opera stages its first Makropulos Case

Mark Valencia, 4th November

Katie Mitchell wheels out her tired old tropes in The Makropulos Case, redeemed by its musical performances.

***11

Plus de critiques...

Francesca Vella

Francesca is a PhD student at KCL, where she is researching Verdi reception in late nineteenth-century Milan. Besides being interested in cultural history and the history of Italian opera, she loves the classical and romantic piano and chamber music repertoire.