The Human Seasons/ After the Rain / Flight Pattern

Par Graham Watts, 17 mars 2017

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“Flight Pattern gives yet more credence to the burgeoning reputation of its creator”

Critique faite à Royal Opera House, Covent Garden, Londres, le 16 mars 2017

The Human Seasons (David Dawson)

After the Rain (Christopher Wheeldon)

Flight Pattern (Crystal Pite)

The Royal Ballet

Koen Kessels, Direction

Francesca Chiejina, Soprano

Orchestra of the Royal Opera House Covent Garden

NBJ's Ballet Coffret is a feast of modern classics

Naomi Mori, 5th February

National Ballet of Japan's Ballet Coffret showcased the versatility of the company with modern classical works including Dawson's A Million Kisses to my Skin, van Manen's 5 Tangos and Balanchine's Theme and Variations.

****1

ENB: R:Evolution showcases tenacity, legacy and talent

Deborah Weiss, 1st October

English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.

****1

Ballet Nights makes an impressive and unforgettable Scottish debut

Kathy Elgin, 4th July

Ballet Nights is more than an evening of party pieces: it showcases emerging talent alongside older favourites and, in the case of this first Scottish outing, has an eye to local tradition.

****1

Ballett am Rhein are unrecognisable in season opener

Vikki Jane Vile, 27th October

It’s all change at the Ballett am Rhein with new Chief Choreographer, Bridget Breiner, and Ballet Director, Raphaël Coumes-Marquet taking over from Demis Volpi for the 24/25 season.

****1

Scottish Ballet: David Dawson's Swan Lake is supremely moving

Kathy Elgin, 4th April

Dawson’s stripped-down production throws the impetus immediately on his choreography, whilst keeping the bones of the story clearly in sight.

****1

Fearless and captivating, Dancing Dutch is a romp of a programme

Vikki Jane Vile, 31st March

Dancing Dutch for Dutch National Ballet comprises four different works, not all by Dutch choreographers, which show off the depth and breadth of a company in great shape.

****1

Plus de critiques...

Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

The Royal Ballet: The Human Seasons/ After the Rain / Flight Pattern