San Francisco Opera offers a dark, powerful Rusalka

Par Edward Sava-Segal, 25 juin 2019

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à War Memorial Opera House, San Francisco, le 22 juin 2019

Dvořák, Rusalka

San Francisco Opera

Eun Sun Kim, Direction

Sir David McVicar, Mise en scène

John Macfarlane, Décors

Moritz Junge, Costumes

Rachel Willis-Sørensen, Rusalka

Brandon Jovanovich, Prince

Kristinn Sigmundsson, Vodník, le père Ondin

Jamie Barton, Ježibaba, la Sorcière

Sarah Cambidge, Princesse étrangère

Laura Krumm, le marmiton

Philip Horst, le garde forestier

Natalie Image, Première nymphe

Simone McIntosh, Deuxième nymphe

Ashley Dixon, Troisième nymphe

Andrew Manea, le chasseur

San Francisco Opera Chorus

Ian Robertson, Chef de chœur

San Francisco Opera Orchestra

San Francisco Opera Dance Corps

Leah Hausman, Revival Director

Andrew George, Chorégraphie

David Finn, Lumières

Unmasking illusions: SF Opera’s Ballo mirrors life’s motley

Thomas May, 24th September

An excellent cast and smart, engaged direction make for an auspicious season launch in San Francisco Opera’s production of one of Verdi’s most sophisticated creations.

****1

San Francisco Opera's The Handmaid's Tale offers hope

Lois Silverstein, 14th September

John Fulljames directs a new production of Poul Ruders' uncompromising operatic take on Margaret Atwood’s celebrated novel.

****1

Antony and Cleopatra: Adams offers a Shakespeare speed-read

Mark Pullinger, 18th September

Great vocal performances from Amina Edris and Gerald Finley grace John Adams' new opera, which opens San Francisco Opera’s centennial season.

***11

Exquisite Handelian singing in San Francisco Opera's Orlando

Edward Sava-Segal, 21st June

The evening’s most revelatory performance came from the young countertenor Aryeh Nussbaum Cohen as Medoro.

****1

Heggie creates a new holiday tradition for the opera world

Donna Stoering, 20th November

A wonderfully realized production at San Francisco Opera of Jake Heggie's operatic version of a holiday classic.

*****

A Cav & Pag with virtues and flaws at San Francisco Opera

Edward Sava-Segal, 30th September

Tenor-turned-director José Cura transplants the action from southern Italy to Buenos Aires.

***11

Plus de critiques...

Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.