Sons of England: a fresh look at English Baroque from the AAM

Par Susannah Moody, 04 juin 2024

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Critique faite à Guildhall School of Music & Drama: Milton Court Concert Hall, Londres, le 30 mai 2024

Dowland, Lachrymae Antiquae Pavan

Purcell, Ground in D minor

Purcell, King Arthur Z 628: Chaconne

Arne, Sweetest Bard

Cesare Morelli / Samuel Pepys, Go, perjured man

Cesare Morelli / Samuel Pepys, Phoebus God, beloved by men

Cesare Morelli / Samuel Pepys, Beauty retire

Geminiani, Concerto grosso en ré mineur « La follia », Op.5 no. 12

Loeillet, Sonata in A minor for flute and continuo, Op.3 no.4

Haendel, Concerto en sol majeur; 2 mouvements, HWV 487

Haendel, Mi palpita il cor, HWV 132c

Sancho, Suite of Songs and Dances

Williams, From Ignatius Sancho (World premiere)

Reginald Mobley, Contre-ténor

Academy of Ancient Music

Laurence Cummings, Direction musicale

Cummings and the AAM win ‘Leipzig's Got Talent’

Nick Boston, 16th April

The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor.

*****

Freudian slip: Handel’s Tamerlano recast as Trumpian tantrums

Mark Pullinger, 26th March

Opha Phelan’s staging presents the action as a grand, Freudian social experiment. It’s a risk – but the production is lifted by outstanding performances from the cast and the Academy of Ancient Music.

***11

Ed Lyon excels in Monteverdi’s Songs of Love and War

Stephen Pritchard, 12th February

Tenor Ed Lyon fulfils a long-held ambition to sing Monteverdi's Eighth Book of Madrigals, conducted by his former teacher, Laurence Cummings at Milton Court.

*****

Strong team for a Good Friday St John Passion

Roy Westbrook, 18th April

The greatest music of the 18th century – no arguments, please – is given a fine reading at London's Barbican.

****1

Academy of Ancient Music delivers a majestic Messiah

Charlotte Gardner, 16th December

Laurence Cummings and the AAM serve up Messiah-shaped serenity at the Barbican.

****1

Actéon and Pygmalion: three transformations for the price of two

Roy Westbrook, 9th October

Ovid’s Metamorphoses makes an ideal curtain-raiser to the Academy of Ancient Music's new season, with works by Charpentier and Rameau conducted by Laurence Cummings... who also sings!

****1

Plus de critiques...

Susannah Moody

A London-based journalist and ex-lawyer, Susannah will cheerfully listen to most styles of music. Having trained as an operatic soprano through school and university, she has worked for several opera companies and set up a student opera company where she translated, directed and performed in productions including flash mob opera. Most recently she took part in the ENO Response programme reviewing the company's 2022-2023 season. She also writes about food as The Moody Foodie.