En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Concerto grosso en ré mineur « La follia », Op.5 no. 12

Janine Jansen ofreció un concierto acompañada por la Camerata Salzburg, demostrando ser una de las violinistas más interesantes del panorama actual.

Countertenor Reginald Mobley and the Academy of Ancient Music shine in an alternative history of English Baroque, with a new work by Roderick Williams. 

Directed by oboist Alfredo Bernadini, Ensemble Zefiro's programme themed around La Follia is thrillingly played, human, edgy and unpredictable. 

From Handel to Hasse, the soprano joins La Folia Barockorchester for a Baroque gallery of Cleopatras as a new season begins. 

One of the world's top period instrument ensembles bring Handel's Water Music and other baroque classics to Klosters.

The Venice Baroque Orchestra offers a fast-paced, intense array of 18th-century selections in New York City.

The day after the Winter Solstice and Wigmore Hall was bathed in an Italian summer trip to La Serenissima. 

Ohne den verständlichen Ermüdungserscheinungen in diesen verrückten Kämpfen, wäre Il Giardinos Konzert zum Abschied ein brüllender Rausschmeißer ohne jeden „Abzug“ gewesen.

Widely considered one of the finest oboists of his generation, Albrecht Mayer gave a riveting performance with the Zurich Chamber Orchestra at the city’s Tonhalle.

Franco Fagioli zündete in Essen ein italienisches Barockfeuerwerk.

B'Rock bring an interesting programme of Italian Baroque to their debut at the Proms.

In her long-awaited major solo appearance in London, young Russian soprano Julia Lezhneva explored Handel's Italian-period works with the vibrant Baroque ensemble Il Giardino Armonico.

A very striking wild-eyed hirsute man has been staring out at us across Scotland on posters for this concert tour, showing that the Scottish Ensemble has adapted well to the modern world of promotion, using titles, straplines and imagination. On the face of things, the choice of eight seemingly very disconnected pieces in the programme, from 1700 to the present day, was disconcerting.