Bachtrack logo
Agenda
Tous les spectaclesConcertsOpéraDanseEnfantsMaster classesConcoursFestivals
Critiques
Toutes les critiquesCritiques concertCritiques opéraCritiques danse
Articles
Tous les articlesDossiersInterviewsOpinionPlaylist
Actualités
Vidéo
Accueil VidéoTous les vidéosStreamingConcertsOpéraDanseEnfantsMaster classesÉditeurs
Site
À proposNous contacterRenvoi vers notre siteConditions d'utilisationCookiesConfidentialité
Jeunes artistes
Voyage
AgendaCritiquesArticlesVidéo

A thrilling evening of music from Bach's Bohemian Cousin

Par Jack Johnson, 22 octobre 2015
Chargement en cours, veuillez patienter...
Voir le listing complet
“Zelenka, like Bach, was adept at stylistic pluralism”
Critique faite à Smith Square Hall, Londres, le 20 octobre 2015
Programme
Zelenka, Trumpet fanfare
Zelenka, Opening and closing coro from Il Serpente di Bronzo
Zelenka, Trio Sonata no. 3 in B flat major
Bach, Nun ist das Heil und die Kraft - Cantata, BWV50
Zelenka, Sinfonia and Terra’s recitativo and aria No. 2 & 3 from Il
Zelenka, Trumpet fanfare
Zelenka, Missa dei Filii, ZWV 20
Artistes
Spiritato
Barts Chamber Choir
Augusta Hebbert, Soprano
Magid El-Bushra, Contre-ténor
Julian Perkins, Direction
Voir plus de critiques Concert
Wonderfully festive!
Jessica Croghan, 20th December
We trudged through the snow to Kings Place, full of anticipation for an evening of beautiful music and festive cheer. The Barts Chamber Choir, conducted by Ivor Setterfield provided this, with a wonderful program from traditional audience carols to lesser known pieces by Berlioz, Howells and Vaughan Williams.
Baroque this Christmas!
Charlotte Valori, 9th December
A skilfully programmed evening of Italian Baroque music gave us a Christmas concert with a difference – and, thanks to superb playing from Spiritato!, an immensely enjoyable one. 
****1
The Also-Ran Who Outran Fate: Daniel Purcell's Judgement of Paris
Charlotte Valori, 5th March
For sheer dramatic potential, let alone the beauty of its music, Daniel Purcell’s The Judgement of Paris is a rare find. In this celebratory performance at St John’s Smith Square, this long-lost opera sparkles at us across the silent centuries. 
****1
Baroque rarities by the GSMD
Nahoko Gotoh, 11th June
The two works in Guildhall School’s Baroque opera double bill, Thomas Arne’s The Cooper and Stradella’s San Giovanni Battista had little in common except that both are rarely performed, yet somehow made quite good bedfellows. 
***11
The Also-Ran Who Outran Fate: Daniel Purcell's Judgement of Paris
Charlotte Valori, 5th March
For sheer dramatic potential, let alone the beauty of its music, Daniel Purcell’s The Judgement of Paris is a rare find. In this celebratory performance at St John’s Smith Square, this long-lost opera sparkles at us across the silent centuries. 
****1
Bach to basics: The AAM performs the St Matthew Passion
Roy Westbrook, 29th March
A claim was made not to authenticity, but merely to “a chance to hear the work anew”.
****1
Plus de critiques...
Lire critiques de
Augusta HebbertBarts Chamber ChoirJan Dismas ZelenkaJohann Sebastian BachJulian PerkinsMagid El-BushraNun ist das Heil und die Kraft - Cantata, BWV50SpiritatoTrio Sonata no. 3 in B flat major
Articles connexes
Loading image...
« Je n'aime pas les musées » : entretien avec Alexandre Tharaud
Loading image...
Ben Glassberg, sa dépression et son retour à la musique
Loading image...
De la Monnaie à Colmar : Alain Altinoglu, bon prophète en ses pays
Loading image...
L’envol du phénix : Samy Rachid, du Quatuor Arod au Boston Symphony
Jack Johnson
Jack Johnson
After completing a postgraduate degree in Music at King's College London in 2013, Jack now works in development for an arts charity based in London. Aside from regularly attending concerts, he plays piano and clarinet and enjoys singing with several choirs. Particularly passions include Bach, Prokofiev and the neglected choral works of Hummel