Theatre of Voices stupefies with Stockhausen’s Stimmung

Par Jacob Slattery, 24 février 2015

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“a unison B flat, the fundamental core of the piece, glittered with a kaleidoscope of overtones”

Critique faite à Carnegie Hall: Zankel, New York, le 21 février 2015

Stockhausen, Stimmung

Theatre of Voices

The nô needs Kaija to win : Only The Sound Remains laisse Garnier sans voix

Suzanne Lay-Canessa, 23rd January

Cette adaptation par Ezra Pound de deux pièces de théâtre nô, devient dans les mains de Kaija Saariaho un véritable manifeste d’épure théâtrale et de poésie musicale.

*****

Magnífico homenaje a Arvo Pärt con Theatre of Voices

Esther Martin, 13th October

Theatre of Voices y el Cuarteto de Cuerda de la Orquesta Sinfónica de la Radio Danesa con Paul Hillier en la dirección ofrecieron un introspectivo concierto para celebrar al compositor Arvo Pärt.

*****

Pablo Heras-Casado: between the avant-garde and neoclassicism in Rome

Alissa Balocco, 9th March

The conductor directs the Accademia Nazionale di Santa Cecilia and Theatres of Voices in contrasting symphonies by Berio and Stravinsky.

***11

Six singers in a chord: Stockhausen’s Stimmung at Kings Place

Matthew Rye, 9th February

A rare performance of Stockhausen’s Stimmung, a key work in the development of contemporary vocal music, proves it still has resonance 50 years on from its première.

****1

London Sinfonietta and Theatre of Voices play Pelle Gudmundsen-Holmgreen in Huddersfield

Sam Wigglesworth, 25th November

There was a strong focus on Danish composers at this year’s Huddersfield Contemporary Music Festival; works by the young and audacious Simon Steen-Andersen featured in several concerts, whilst the Arditti Quartet’s performance of Hans Abrahamsen’s Fourth Quartet proved to be the highlight of the opening weekend.

*****

Arcadi Volodos réinventeur de Schubert et Chopin à la Philharmonie

Alain Lompech, 12th May

La Sonate D 894 de Schubert est apparue comme une parenthèse dans l'espace-temps, avant une seconde partie de récital (consacrée à Chopin) qui a parfois surpris par des effets et des choix curieux.

****1

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Jacob Slattery

Jacob is a musician and raconteur based out of New York City. As a writer, he operates an online arts and culture blog with the goal of providing momentum for community-based arts projects in NYC. As an oboist, Jacob has performed internationally with orchestras from Vienna to Seoul. Born and raised in the lake-ridden, gopher empire of Minnesota, Jacob received a dual-degree in Music Performance and Marketing from Augsburg College in Minneapolis. His blog can be found here.

Variations on an overtone series: Theatre of Voices stupefies with Stockhausen’s Stimmung