A stunning experience with Sydney Symphony in Carmina Burana

Par Alan Yu, 25 mars 2013

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Critique faite à Sydney Opera House: Concert Hall, Sydney, le 21 mars 2013

Chen, Enchantements Oubliés

Orff, Carmina Burana: O Fortuna

Sydney Symphony Orchestra

Sydney Philharmonia Choirs

Sydney Children's Choir

Long Yu, Direction

Milica Ilic, Soprano

Paul McMahon, Ténor

Changyong Liao, Baryton

Mahler survives unusual pairing as Sydney Symphony opens new season

Jeremy Eccles, 25th February

Putting Gershwin up against Mahler is a challenge, but Simone Young and Jean-Yves Thibaudet bring it off in the Sydney Symphony's 2026 season opener.

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Cello whisperer Kian Soltani debuts in Sydney

Zoltán Szabó, 1st November

Terrific orchestral colours abound in this Sydney Symphony concert under Simone Young, adding to a thoughtful and emotive rendering of one of the best-known cello concertos.

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Daniel Müller-Schott plays Tchaikovsky with the Sydney Symphony

Zoltán Szabó, 22nd October

A delightful programme welcomes conductor Lionel Bringuier and returning cellist Daniel Müller-Schott to Sydney.

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Sublime Burleske in the Sydney Symphony's Strauss concert

Zoltán Szabó, 3rd September

Three very different works from the long life of Richard Strauss are performed by the Sydney Symphony Orchestra under Simone Young.

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18th-century fireworks from Stephen Layton and the Sydney Symphony

Sandra Bowdler, 23rd August

Stephen Layton conducts Haydn and Handel, and is joined by soprano Sara Macliver for Bach and Mozart for a joyful evening.

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Majestic Brahms from Sir Stephen Hough and Elim Chan in Sydney

Zoltán Szabó, 17th May

Elim Chan expertly conducts the SSO through a varied programme featuring an Australian fanfare, Russian ballet music and Brahms' First Piano Concerto with Sir Stephen Hough.

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Alan Yu

The first concert Alan attended was Mahler’s Das Lied von der Erde. For 7 years he presented classical music programmes for Radio Television Hong Kong, partly to pay his way through university. He attends concerts whenever he can and believes there is no substitute for the thrill of live performances. He writes here.