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Trouble in Tahiti and Clemency make an intriguing Dutch National double bill

Par Nicolas Nguyen, 24 mars 2018
Chargement en cours, veuillez patienter...
Voir le listing complet
“Sebastià Peris i Marco’s was a convincingly bullish Sam”
Critique faite à Theater De Meervaart, Amsterdam, le 22 mars 2018
Programme
Bernstein, Trouble in Tahiti
MacMillan, Clemency
Artistes
Dutch National Opera
Duncan Ward, Direction
Ted Huffman, Mise en scène
Elena Zamparutti, Décors
Gisella Cappelli, Costumes
Sebastià Peris i Marco, Sam
Turiya Haudenhuyse, Dinah
Kelly Poukens, Soprano Chorus
Lucas van Lierop, Tenor Chorus
Dominic Kraemer, Baritone Chorus
Jenny Stafford, Sarah
Frederik Bergman, Abraham
Nederlands Kamerorkest
Sam Pinkleton, Chorégraphie
Voir plus de critiques Opéra
Weinberg’s The Passenger at Dutch National Opera
Clare Varney, 17th April

Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix. 

****1
Dutch National Ballet's reimagined La Bayadère triumphs
Mark Vicente, 26th March
Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.
****1
Michel van der Aa’s Theory of Flames: defining opera for a modern age
Clare Varney, 6th March

British singers Mary Bevan and Roderick Williams lead the cast in Dutch National Opera’s latest ground-breaking opera, merging live music with pre-recorded film and electronics.

****1
Dutch National Ballet brings much needed heat to this winter season
Mark Vicente, 10th February
The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.
****1
Malin Byström brilliert bei Isolde-Debüt in Amsterdam
Phillip Richter, 8th February
Die schwedische Sopranistin gibt ihr spannungsumwobenes Debüt als Isolde in Pierre Audis zeitloser Inszenierung.
*****
Semele at Dutch National Opera: myth, desire and fantasy
Mengguang Huang, 23rd January

Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

****1
Plus de critiques...
Lire critiques de
ClemencyDominic KraemerDuncan WardDutch National BalletDutch National OperaElena ZamparuttiFrederik BergmanGisella CappelliJenny StaffordLeonard BernsteinLucas van LieropNederlands KamerorkestSam PinkletonSebastià Peris i MarcoSir James MacMillanTed HuffmanTrouble in Tahiti
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Nicolas Nguyen
Nicolas Nguyen
Nicolas is a French Amsterdammer, e-commerce professional and a bit of an opera buff. His experience in the area of music is that of a dilettante. His passion for the opera and vocal music comes from his love for both music and languages which are so perfectly combined in these art forms.