Levit and New York Phil principals in double concertos

Igor Levit

Christopher Martin and Igor Levit

Sherly Staples, Cynthia Phelps and Jaap van Zweden

Frank Huang and Carter Brey

Par Edward Sava-Segal, 01 juin 2024

Chargement en cours, veuillez patienter...

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“Levit... enveloping the emotionally ambivalent work in an additional layer of detached irony”

Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 30 mai 2024

Mozart, Symphonie concertante pour violon et alto en mi bémol majeur, K364 (K320d)

Chostakovitch, Concerto pour piano no. 1 en ut mineur pour piano, trompette et orchestre à cordes, Op.35

Brahms, Double Concerto en la mineur pour violon, violoncelle et orchestre, Op.102

New York Philharmonic

Jaap van Zweden, Direction

Igor Levit, Piano

Frank Huang, Violon

Sheryl Staples, Violon

Cynthia Phelps, Alto

Carter Brey, Violoncelle

Christopher Martin, Trompette

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

At the double: Igor Levit joins New York Phil principals in an evening of concertos