Donizetti defies lockdown in Bergamo: Belisario

Par Mark Pullinger, 22 novembre 2020

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“Frontali’s baritone is flinty, but his dramatic instincts made for a vital portrayal”

Critique faite à Teatro Donizetti, Bergamo, le 21 novembre 2020

Donizetti, Belisario (Concert performance)

Fondazione Donizetti

Riccardo Frizza, Direction

Simon Lim, Giustiniano

Roberto Frontali, Belisario

Carmela Remigio, Antonina

Annalisa Stroppa, Irene

Celso Albelo, Alamiro

Anaïs Mejías, Eudora

Klodjan Kaçani, Eutropio

Piermarco Viñas Mazzoleni, Centurione

Stefano Gentili, Eusebio

Orchestra Donizetti Opera

Coro Donizetti Opera

Fabio Tartari, Chef de chœur

Shipwrecked: Donizetti’s Il furioso comes a cropper in Bergamo

Mark Pullinger, 16th November

Manuel Renga’s sensitive framing device sets up a sympathetic production of a problematic opera, but is scuppered by the central vocal performance.

***11

At Donizetti Opera Festival: farces flop, young singers impress

Mark Pullinger, 15th November

Il campanello and Deux Hommes et une femme bomb at the Donizetti Opera festival, but the young singers of the Bottega Donizetti – and wily old hand Alessandro Corbelli – impress.

***11

Donizetti’s Caterina Cornaro given a controversial update in Bergamo

Mark Pullinger, 14th November

Francesco Micheli reimagines Caterina Cornaro in a contemporary setting, switching to the historical past, to open this year’s Donizetti Opera festival in the composer’s home town.

****1

Young Sicilian soprano grabs the limelight in Bergamo Don Pasquale

Mark Pullinger, 17th November

They came for Javier Camarena, but cheered Giulia Mazzola to the rafters of the Teatro Donizetti as the third production of this year's festival opens.

***11

A modern makeover for Donizetti’s Zoraida di Granata

Mark Pullinger, 16th November

Bruno Ravella's effective production was seen in Wexford in its original 1822 version, but Donizetti Opera opts for the composer's 1824 revision, throwing the spotlight onto Cecilia Molinari's excellent Abenamet.

***11

Tudor history, gothic thrills: Roberto Devereux in Bergamo

Mark Pullinger, 15th November

Is Roberto Devereux the finest of Donizetti's four Tudor operas? Stephen Langridge's stylish, stylised production and a wonderful cast under Riccardo Frizza make a great case for it.

****1

Plus de critiques...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Donizetti defies lockdown in Bergamo: Riccardo Frizza conducts a vivid account of Belisario