A little touch of magic in Scottish Opera's Hansel and Gretel

Par Simon Thompson, 10 février 2021

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“roundly upstaged by Nadine Benjamin, doubling as the distressed mother and the hysterical witch”

Critique faite à Theatre Royal, Glasgow, le 10 février 2021

Humperdinck, Hansel et Gretel (Hänsel und Gretel) (sung in English)

Scottish Opera

David Parry, Direction

Daisy Evans, Mise en scène

Neil Foulis, Lumières

Kitty Whately, Hansel

Rhian Lois, Gretel

Nadine Benjamin, La Sorcière, Gertrude (la mère)

Phillip Rhodes, Peter (le père)

Charlie Drummond, La Fée rosée, Le Marchand de sable

Sombre Ariodante au Scottish Opera

Clémence Faber, 16th February

Cette nouvelle production du plus écossais des opéras de Haendel s’en tire avec les honneurs, malgré un orchestre à la peine.

***11

East meets West in Dai Fujikura’s The Great Wave at Scottish Opera

David Smythe, 12th February

Stuart Stratford conducts the world premiere of Fujikura’s opera about Hokusai’s image at Scottish Opera, with Satoshi Miyagi directing with his Japanese creative team.

***11

Sepia memories: Scottish Opera’s La bohème delights in revival

David Smythe, 11th October

Hye-Youn Lee and Mario Chang head a strong cast in Barbe and Doucet’s revival of La bohème, which marks the retirement of veteran lighting designer, Guy Simard.

****1

Lampooning the law: Scottish Opera’s satirical new double bill

David Smythe, 14th May

Scottish Opera’s double bill of Trial by Jury and the world premiere of Toby Hession’s fun-packed A Matter of Misconduct! features an ensemble cast, mostly of Emerging Artists.

****1

Scottish Opera’s Merry Widow tangles with the New York Mafia

David Smythe, 30th April

With misplaced horse heads, violin case guns and as many mafia gags as you could hope for, Scottish Opera’s Merry Widow may not be subtle but it looks and sounds gorgeous.

****1

The Makropulos Affair defies the march of time

Mark Valencia, 15th February

Orla Boylan’s creation oozes charisma and reeks of entitlement, driven to emotional cruelty by the lassitude of a life too-long lived.

****1

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Simon Thompson

Simon lives and works in Edinburgh, and teaches History and Modern Studies at a local high school when he is not writing about music. Born an Irishman, he is an enthusiastic adopted Scot, and has lived in the capital for fifteen years since university days, making the most of its many avenues for classical music. He spends his spare time enthusing about music, theatre, art and literature to anyone who will listen, including his long-suffering students, who have no choice.