Bawdy by Weimar: Barry Humphries' Weimar Cabaret

Par Kevin Wells, 17 août 2016

Chargement en cours, veuillez patienter...

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“Meow Meow’s rendition might still be registering on the Richter scale...”

Critique faite à Tanglewood, Seiji Ozawa Hall, Lenox, le 14 août 2016

Weill, Other

Krenek, Jonny spielt auf (Excerpts)

Schulhoff, Sonata erotica, for female voice solo

Toch, Geographical Fugue

Brandt, Other

Grosz, Other

Hindemith, Kammermusik no. 1, Op.24 no.1

Barry Humphries, Présentation

Australian Chamber Orchestra

Satu Vänskä, Violon

Melissa Madden Gray (Meow Meow), Voix

Australian Chamber Orchestra in Melbourne: Gershwin, Shostakovich

Sandra Bowdler, 10th August

Two works by Shostakovich sandwiching Rhapsody in Blue made for an exhilerating concert from the Australian Chamber Orchestra in Melbourne

****1

Bach sheds light in an impressively dark outing from the ACO

Nick Boston, 21st March

Energetic commitment from the ACO at the Barbican, with precision and edge from Alexander Melnikov and Jeroen Berwaerts in an evening of darkness and light.

****1

Mesmerising, but relentless Brahms and Beethoven from the ACO

Zoltán Szabó, 11th February

Awe-inspiring performances of much loved classics in Sydney, yet the musical eyebrows have reasons to go (and stay) up.

****1

Why isn't the music enough? “Silence and Rapture” from the ACO

Sandra Bowdler, 14th August

Iestyn Davies joins the Australian Chamber Orchestra for music by Bach and Pärt in a programme featuring distracting modern dance.

***11

Symphony or song cycle? Mahler’s Das Lied von der Erde in Sydney

Zoltán Szabó, 17th May

Mahler's epic five-movement symphonic song cycle is performed by a chamber ensemble with mixed results.

***11

A walk to Beethoven: Bezuidenhout and the Australian Chamber Orchestra

Zoltán Szabó, 23rd March

Kristian Bezuidenhout joins the ACO for a piecemeal programme leading to a complete performance of Beethoven's Emperor Concerto.

***11

Plus de critiques...

Kevin Wells

Kevin Wells was bitten by the opera bug at 10, having heard a 1936 recording of Jussi Björling singing “Che gelida manina”. He has never been the same since. A student of voice, performance practice, the history of singing and opera, he holds advanced degrees in Italian and has lived and worked in Italy off and on since the 70s. La Scala became a second home as the Met had been during college daze. Now in his native Boston, he works as translator, tutor, and language coach, haunts Symphony Hall, and would haunt the Opera House had it not been demolished in 1958!