Salle: Brooklyn Academy of Music (BAM)

It's 33 years since its premiere in Brussels, and in its eighth season in New York at the Brooklyn Academy of Music, this irreverent American classic is still firing on all cylinders.

With choreographers like Ronald K. Brown and Kyle Abraham working with the company, the repertory might finally match the talents of the dancers.

Tamara Rojo's English National Ballet takes Akram Khan's version of Giselle, created on the company, to the Brooklyn Academy of Music.

Pianist Lada Valešová was the anchor of the performance where Janáček's song cycle gets the van Hove treatment.

Dido and Aeneas was triumphant and had all those great moments that make Morris’s choreography among the most musical I’ve seen.

Citizen is about many things and, while race is certainly central, there is also the question of what it means to belong, not to belong and to not even want to belong.

If you’re only going to one holiday show, this is the one you want.

Faye Driscoll's Thank You For Coming: Play is the second in a series of three works that ask the audience to imagine a different kind of participation than they are used to.