Fichier de données
| Adresse | 165 W. 65th Street New York NY 10023 États-Unis |
| Contains | Lincoln Center, Rose Building: Daniel and Joanna S. Rose Studio Alice Tully Hall Clark Studio Theater David H Koch Theater Fordham University, 12th Floor Lounge Josie Robertson Plaza Metropolitan Opera House New York State Theater Stanley H Kaplan Penthouse Walter Reade Theater Wu Tsai Theater, David Geffen Hall Lincoln Centre: Hearst Plaza |
| Google maps | 40° 46' 26.830" N 73° 59' 2.841" W |
Événements à venirEn voir plus...
New YorkThe Sleeping Beauty
Tchaïkovski: La Belle au bois dormant
Marius Petipa; Peter Martins; New York City Ballet; David Mitchell; Patricia Zipprodt; Mark Stanley; New York City Ballet Orchestra
New YorkThe Amazing Adventures of Kavalier & ClayNouvelle production
Bates: The Amazing Adventures of Kavalier & Clay
Yannick Nézet-Séguin; Bartlett Sher; Metropolitan Opera; Michael Christie; 59 Productions; Jennifer Moeller
New YorkRouvali & Rachmaninov’s Symphonic Dances
Nelson, Bartók, Rachmaninov
New York Philharmonic; Santtu-Matias Rouvali; Leonidas Kavakos
New YorkContemporary Choreography II – New York City Ballet
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Françaix, compositeurs divers, Stevens, Iyer
Alexei Ratmansky; Justin Peck; Christopher Wheeldon; New York City Ballet; Marc Happel; Mark Stanley; New York City Ballet Orchestra
New YorkMasters at Work III
Chopin, Tchaïkovski
Jerome Robbins; George Balanchine; New York City Ballet; Joe Eula; Jennifer Tipton; New York City Ballet Orchestra; Barbara Karinska
New YorkMirga Gražinytė-Tyla & Emanuel Ax
Vaughan Williams, Williams, Weinberg
New York Philharmonic; Mirga Gražinytė-Tyla; Emanuel Ax
Critiques récentesEn voir plus...
À New York, Daniil Trifonov réinvente le Concerto de Schumann
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Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.
NYCB: Ratmansky's The Naked King is not satire, but good fun
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New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky's latest work, The Naked King, showing off the company's comic talents.
Irresistible: Justin Peck’s The Wind-Up premieres at NYCB
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Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.
Lyricism and drama from Dueñas, Honeck and the New York Philharmonic
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The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.
Thomas Adès and Yuja Wang offer contemporary works at the NY Phil
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Yuja Wang returns to the New York Philharmonic with Rautavaara’s dazzling First Piano Concerto in a probing program curated and conducted by Thomas Adès.
NYCB: Balanchine + Ratmansky program warms the audience
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NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.
Tradition and modernity: Bronfman and Zhang shine in New York
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Xian Zhang returns to the Philharmonic to lead a program pairing two 19th-century Romantic works with a 21st-century tone poem.
Ailyn Pérez is the perfect Butterfly in the Met’s revival
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Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.