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AmsterdamEarly Opera Company: Purcell's King Arthur
Purcell: King Arthur
Christian Curnyn; Early Opera Company; Lindsay Duncan; Lucy Crowe; Anna Dennis; Mark Milhofer
LeedsBernstein double bill
Bernstein
Jonathon Heyward; Matthew Eberhardt; Phoenix Dance Theatre; Charles Edwards; Hannah Clark; Quirijn de Lang; Sandra Piques Eddy
Newcastle upon TyneBernstein double bill
Bernstein
Jonathon Heyward; Matthew Eberhardt; Phoenix Dance Theatre; Charles Edwards; Hannah Clark; Quirijn de Lang; Sandra Piques Eddy
SalfordBernstein double bill
Bernstein
Jonathon Heyward; Matthew Eberhardt; Phoenix Dance Theatre; Charles Edwards; Hannah Clark; Quirijn de Lang; Sandra Piques Eddy
ZürichAlice im WunderlandWorld premiere
Valtinoni: Alice im Wunderland
Michael Richter; Nadja Loschky; Zurich Opera; Etienne Pluss; Irina Spreckelmeyer; Sandra Hamaoui; Lina Dambrauskaite
NottinghamBernstein double bill
Bernstein
Jonathon Heyward; Matthew Eberhardt; Phoenix Dance Theatre; Charles Edwards; Hannah Clark; Quirijn de Lang; Sandra Piques Eddy
Latest reviewsSee more...
Precipice at The Grange Festival: a mirror of our times
Michael Chance takes the audience around The Grange in a thoughtful show combining opera excerpts, dance, acrobats, vocal and instrumental music.
Strauss' Le bourgeois gentilhomme throws a party in Martina Franca
The fil rouge of the performance is represented by two young dancers.
An enchanting new Midsummer Night’s Dream at Deutsche Oper Berlin
Deutsche Oper Berlin’s new production of A Midsummer Night’s Dream is a delightful and whimsical homage to Britten’s masterpiece. The orchestra, soloists and children’s chorus performed with energy and charm under the baton of Donald Runnicles.
Rodelinda hits all the marks at Dutch National Opera
A veritable Baroque bonanza featuring a top-tier cast and orchestra in an emotionally incisive and handsomely crafted production.
Summoning Britten the dead in Harlem
The program was annotated by the actor Sagine Valla, delivering lines from the composer's published letters, diaries and other texts. It grew intrusive at times, but when given a chance, the ensemble played beautifully.
Oscar Wilde takes centre stage in Staatsoper's Salome
The Staatsoper revives a confused production by Hans Neuenfels, under the baton of Thomas Guggeis.
Barocktage opens with a murder: Scarlatti’s Il primo omicidio
Romeo Castellucci’s inspiring and spiritual production lands in Berlin, with a superb cast of Baroque specialists and the B’Rock Orchestra under the baton of René Jacobs.
Performers
Amalric, MathieuAntonuzzo, VittoriaBarbiero, RobertaBarrington-Cook, OceanBlochberger, LudwigBodin, BérengèreBodnar, MarcBortolozzo, FrancescoBrutscheidt, KjellClaydon, TimDecleir, JanDelgado, RafaelDuncan, LindsayFerraro, MarcoFöttinger, HerbertGallenga, LiviaGräßle, ThomasGreeves, DavidGrötzinger, AndreasHajdu, DanielHappel, MariaJäggi, UeliKarier, SteveLarrabeiti, AndoniLópez, EstherLöcker, MarekMacek, Karl-HeinzMocchiutti, MichelaMoltzen, PeterNatter, ChristianNickel, ChristianPolt, GerhardRoberts, StellaSchmidt, BerndSimonischek, PeterTouvet, ThéoTrissenaar, ElisabethUrlacher, MaxValentine, Graham F.Yildiz, ErdalZuber, Sebastiande Santis, Valeriavon Frankenberg, Emanuelavon Manteuffel, Felix
