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Instrument: Actor

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MunichDie Entführung aus dem Serail

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Mozart: Die Entführung aus dem Serail (The Abduction from the Harem)
Ivor Bolton; Martin Duncan; Bavarian State Opera; Ultz; Stan Pressner; Bayerisches Staatsorchester

PragueTurandot

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Puccini: Turandot
Giuseppe Finzi; Zuzana Gilhuus; Prague National Theatre Opera; Boris Hanečka; Martin Bronec; Prague National Theatre Orchestra

HamburgKhatia Buniatishvili & Friends

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Various
Khatia Buniatishvili; Barbara Schöneberger; Sebastian Koch; Hugo Marchand

HalleÉgalité

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Handel, Bach, Bononcini, Biber, Buxtehude, Caldara, Leclair
Avinoam Shalev; Alexandra Marisa Wilcke; Ensemble Arava; Sophie Wedell; Nora Matthies

BerlinMocha Hits and Milk Bar DreamsNew production

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Various: Mocha Hits and Milk Bar Dreams
Adam Benzwi; Axel Ranisch; Komische Oper Berlin; Saskia Wunsch; Alfred Mayerhofer; Johannes Scherfling; Orchester der Komischen Oper Berlin

PragueBeethoven – Pastoral Symphony

Prague Symphony Orchestra
Beethoven, Martinů
Prague Symphony Orchestra; Tomáš Netopil; Simona Šaturová; Jiří Brückler; Bella Adamova; Daniel Matoušek

Geneva200 MotelsNew production

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Zappa: 200 Motels – The Suites
Titus Engel; Daniel Kramer; Grand Théâtre de Genève; Justin Nardella; Shalva Nikvashvili; Simon Trottet; Orchestre de la Suisse Romande
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Peter Grimes drops anchor again at The Royal Opera

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Allan Clayton and Sir Bryn Terfel lead a strong cast in a revival of Deborah Warner's dark staging of Britten's signature work at Covent Garden. 
****1
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Nicholas McGegan brings delicacy and elegance to Mendelssohn

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The Seattle Symphony offers an enchanting evening immersed in the joy and brilliance of both the young and the mature genius of Felix Mendelssohn.
****1
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Weinberg’s The Passenger at Dutch National Opera

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Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix. 

****1
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Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival

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Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic. 

****1
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Innocence: Saariaho’s final opera receives New York premiere

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At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace. 
*****
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Deborah Warner attains her theatrical dream at the Teatro Real

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Warner once again displays her unquestionable talent onstage and her affinity with Benjamin Britten, although, on this occasion, the musical aspect are not equally satisfactory.
***11
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Ariadne in Rome: David Hermann’s Strauss staging highlights contrasts

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In an opera rarely staged in Italy, David Hermann skilfully masters the metatheatrical challenges posed by the libretto to Ariadne auf Naxos
****1
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