Instrument: Choirmaster / chorus director

Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

A highly unbalanced premiere, its opportunity to become one of the Liceu's historic productions prevented by the contrast between dramaturgy and music.