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WinterthurViva la mamma (Le convenienze ed inconvenienze teatrali)New production
Donizetti: Viva la mamma (Le convenienze ed inconvenienze teatrali)
Carrie-Ann Matheson; Mélanie Huber; Zurich Opera; Nora Johanna Gromer; Lena Hiebel; Hans-Rudolf Kunz; Fabio Dietsche
MadridOrlando furioso - concert version
Vivaldi: Orlando furioso, RV 728
George Petrou; Teatro Real; Max Emanuel Cenčić; Julia Lezhneva; Ruxandra Donose; Sonja Runje
LuganoEnsemble Claudiana with Luca Pianca
Bach
Luca Pianca; Ensemble Claudiana; Joanne Lunn; Marie-Claude Chappuis; Fulvio Bettini
ZürichL’incoronazione di Poppea
Monteverdi: L'incoronazione di Poppea, SV 308
Ottavio Dantone; Calixto Bieito; Zurich Opera; Rebecca Ringst; Franck Evin; Sarah Derendinger; Beate Breidenbach
BrusselsLulu
Berg: Lulu
Alain Altinoglu; Krzysztof Warlikowski; La Monnaie | De Munt; Małgorzata Szczęśniak; Felice Ross; Christian Longchamp
ZürichL’OlimpiadeNew production
Pergolesi: L'Olimpiade
Ottavio Dantone; David Marton; Zurich Opera; Christian Friedländer; Tabea Braun; Henning Streck; Sonja Aufderklamm
Latest reviewsSee more...
Jailbird Parsifal: stellar cast transcends a problematic staging
Russian director Kirill Serebrennikov relives his own arrest in 2017 in his new production of Wagner's Bühnenweihfestspiel at the Wiener Staatsoper.
Rattle conducts a Jenůfa to sear the soul at the Staatsoper Berlin
Although Damiano Michieletto's new production resembles an expensive drama workshop, it’s the marvellous performances that make this such a moving Jenůfa.
In Brno, a vital and resonant Jenůfa
The Janáček Festival maintains its proud tradition with a brave eleventh-hour performance.
Bernard Labadie leads the Montreal Symphony in Mozart and Beethoven
Marie-Nicole Lemieux and Karina Gauvin star in Mozart concert arias before a very gentle Pastoral Symphony at the Maison symphonique.
Take Me to Church: Tiefsinn at the Davos Festival
Staged in the town’s quaint St Johann Church, the Davos Festival’s “Tiefsinn” concert featured a fine choir and soloists, saxophone quartet, chamber orchestra and a dauntless solo cellist.
There will be blood: Elektra in Salzburg
An Elektra conducted like Mendelssohnian fairy music, sung not shouted, just as Strauss required.
La Fenice reopens its doors with Vivaldi's first opera
The lack of a curtain has forced the director to employ a new inventiveness, if only with partially success.