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Instrument: Contralto

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ReykjavíkMahler 8

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Mahler: Symphony no. 8 in E flat major "Symphony of a Thousand"
Iceland Symphony Orchestra; Eva Ollikainen; Bryndís Guðjónsdóttir; Álfheiður Erla Guðmundsdóttir; Dísella Lárusdóttir; Anna Kissjudit

BarcelonaLe nozze di Figaro

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Mozart: Le nozze di Figaro (The Marriage of Figaro)
Giovanni Antonini; Marta Pazos; Gran Teatre del Liceu; Max Glaenzel; Agustín Petronio; Nuno Meira; Orquesta Sinfónica del Gran Teatre del Liceu

HalleL’Allegro, il Penseroso ed il Moderato

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Handel: L'Allegro, il Penseroso, ed il Moderato, HWV 55
Massimo Mazzeo; Valentina Varriale; Giulia Bolcato; Candida Guida; Benoit-Joseph Meier

ViennaDas Paradies und die Peri

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Schumann: Das Paradies und die Peri (Paradise and the Peri)
Vienna Symphony Orchestra; Petr Popelka; Singverein der Gesellschaft der Musikfreunde in Wien; Julia Kleiter; Marie Smolka; Wiebke Lehmkuhl

ToulouseCarmen

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Bizet: Carmen
Leo Hussain; Jean-Louis Grinda; Opéra National du Capitole de Toulouse; Rudy Sabounghi; Laurent Castaingt; Orchestre National du Capitole de Toulouse

MunichOf One BloodNew production

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Dean: Of One Blood
Vladimir Jurowski; Claus Guth; Bavarian State Opera; Étienne Pluss; Ursula Kudrna; Michael Bauer; Bayerisches Staatsorchester

LiverpoolElgar The Dream of Gerontius

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Elgar: The Dream of Gerontius, Oratorio for soloists chorus and orchestra, Op.38
Royal Liverpool Philharmonic Orchestra; Andrew Manze; Jess Dandy; Nicky Spence; James Platt; Royal Liverpool Philharmonic Choir
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Sasha Cooke brings sharp intelligence to Seattle Opera’s Carmen

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Sasha Cooke’s thoughtful role debut anchors Paul Curran’s visually and musically alert but dramatically uneven production.
****1
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Rossini’s Cenerentola proves great fun in Adelaide

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Neil Armfield’s production for State Opera South Australia combines a sparkling night of entertainment with first class musical values. 
****1
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Romeo Castellucci directs a new Pelléas et Mélisande at La Scala

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The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

****1
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Regents Opera’s Salome lands a knockout punch at York Hall

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Mark Ravenhill directs a brutal, bloody Salome at the spiritual home of British boxing, York Hall. 
****1
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Parsifal without the hocus-pocus in Lower Bavaria

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A colourful, revue-style production dispels the clouds of mystique surrounding Wagner's last opera.
****1
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Petrenko and Serebrennikov forge a new Ring in Salzburg

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The Berliner Philharmoniker’s much-anticipated return to Salzburg gets off to an impressive musical start. Kirill Serebrennikov’s staging raises numerous questions, but answers few of them. 
****1
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Eyes wide shut for Berlin’s new Ballo

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At the Staatsoper Unter den Linden, Rafael R Villalobos addresses the problems he perceives with Verdi’s Un ballo in maschera, although the musical performances – led by Anna Netrebko – compensate.
***11
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