Instrument: Unknown

Mark Ravenhill directs a brutal, bloody Salome at the spiritual home of British boxing, York Hall. 

Sir Mark Elder celebrates 50 years at Covent Garden by returning to his first opera there in 1976 – Verdi's Rigoletto – in a revival of Oliver Mears' excellent 2021 production.

Warner once again displays her unquestionable talent onstage and her affinity with Benjamin Britten, although, on this occasion, the musical aspect are not equally satisfactory.

Hofesh Shechter's Red Carpet for Paris Opera Ballet offered brief harrowing elements in an otherwise tiresome evening, though the music, also by Shechter, was tremendous.

Visual symbolism and musical ambition in a production at the George Enescu International Festival. 

Iván Fischer's reworking of his 2017 production of Don Giovanni is musically capable, but dramatically unconvincing.