Zwischen Neu und Alt: Bachs Weihnachtsoratorium in München

By David Renke, 09 December 2017

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“Die Koloraturen in rasantem Tempo wurden für Lichdi zu virtuosen Glanzstücken”

Reviewed at Philharmonie im Gasteig, Munich on 7 December 2017

Bach, Christmas Oratorio, BWV248: Jauchzet, frohlocket

Bach, Christmas Oratorio, BWV248: Und es waren Hirten in derselben Gegend

Bach, Christmas Oratorio, BWV248: Herrscher des Himmels, erhöre das Lallen

Bach, Christmas Oratorio, BWV248: Fallt mit Danken, fallt mit Loben

Munich Philharmonic Orchestra

Ton Koopman, Conductor

Christina Landshamer, Soprano

Wiebke Lehmkuhl, Contralto

Tilman Lichdi, Tenor

Michael Volle, Baritone

Munich Philharmonic Choir

Andreas Herrmann, Choirmaster / chorus director

Spacious Prokofiev from Seong-Jin Cho and the Munich Philharmonic

SangKwon Lee, 6th May

Seong-Jin Cho’s premise in Prokofiev is compelling – to reconcile Russian gravitational attack and monumental construction with clarity, colour and contrapuntal legibility.

***11

At home in Hamburg: Munich Philharmonic at the Elbphilharmonie

Mengguang Huang, 6th February

Lahav Shani offers fresh perspectives on Debussy, Mozart and Schoenberg, favouring structural clarity and youthful energy over traditional late-Romantic weight and atmospheric suggestion.

***11

Zubin Mehta brings the Munich Philharmonic to Carnegie Hall for Brahms

Edward Sava-Segal, 3rd February

Yefim Bronfman reunites with his old collaborator for Brahms' First Piano Concerto, reinforcing the qualities that exemplify him as a great chamber music player.

****1

A proficient but flawed opening at Dvořák’s Prague

Frank Kuznik, 8th September

Myung-whun Chung and Pablo Ferrández shine separately, but never quite get on the same page.

***11

Child's play: Crumb and Strauss make unconventional bedfellows

Matthew Rye, 12th November

Zubin Mehta brought together works by George Crumb and Richard Strauss in his latest concert as the Munich Philharmonic's honorary conductor.

****1

Grand Romantic statements from Gergiev at the Enescu Festival

Edward Sava-Segal, 6th September

Two giants of the Romantic repertoire that were met with disdain by Eduard Hanslick at their premieres are given persuasive readings in Bucharest.

****1

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David Renke

David Renke, geboren in München, hat Musikwissenschaft an der Universität zu Köln studiert, wechselte dann zum Studiengang Medien und Kommunikation an die Universität Passau. Er spielt Klavier, Gitarre und ist als Sänger in verschiedenen Chören in Süddeutschland tätig. Sein Schwerpunkt liegt bei der Musik des frühen 20. Jahrhunderts.

Zwischen Neu und Alt: Bachs Weihnachtsoratorium mit den Münchner Philharmonikern