Conducted by honorary member Yannick Nézet-Séguin, the COE’s all-Brahms concert features the composer's First Symphony and final major work, the Double Concerto for Violin and Cello.
Iestyn Davies shows how to make every word count in a fairly standard sampler of Baroque arias; Ticciati is a fireball on the podium with the Chamber Orchestra of Europe.
Beethoven was the spiritus rector of Ticciati's COE concert at the Elbphilharmonie, with Lisa Batiashvili in commanding form for that composer's fiddle concerto.
Nézet-Séguin and the Chamber Orchestra of Europe bring to a triumphant end their Beethoven cycle in Baden-Baden with coruscating performances of the Second and Third Symphonies.
Sebastian Urmoneit sudierte Musikwissenschaft und Philosophie in Berlin (u. a. bei Carl Dahlhaus). Ergänzendes Studium an der HdK Berlin (UdK)(u. a. bei Heinrich Poos und Hartmut Fladt), Dissertation zu Wagners „Tristan und Isolde“; Aufsätze über Schubert, Wagner, Wolf, Strauss und Brahms; Herausgabe: Joseph Haydn, Memoria, Band 11 mit Hartmut Fladt. Werkeinführungen für das Berliner Konzerthaus, das Radio-Sinfonieorchester Stuttgart des SWR, die Bamberger Symphoniker, die Stuttgarter Philharmoniker, die Südwestdeutsche Konzertdirektion Erwin Russ GmbH, die Dachauer Schlosskonzerte, die Albert Konzerte GmbH in Freiburg u. a.
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