Die Vergangenheit als Trauma: Krzysztof Warlikowskis Iphigénie en Tauride in Stuttgart

Die Verurteilung des Lukullus, Paul Dessau and Bertolt Brecht's political satire about a Roman general judged for his deeds after death, has lost none of its relevance in Staatsoper Stuttgart's new production. 

Director Peter Konwitschny's staging of Cherubini's Medea critiques rejection and mistreatment of refugees. A strong new German translation and a talented cast make this a must-see.

In Jussi Wieler and Sergio Morabito’s pugilistic production of Ariodante, the singers needed as much physical and gymnastic dexterity as vocal finesse.

Oper Stuttgart’s new production of The Queen of Spades (Pique-Dame) pushes a directorial tendency to update opera to a modern setting to an extreme.

A thrilling new staging of Gounod's opera from the team that brought Bayreuth its current Ring, with musical rewards to match.

Director Kirill Serebrennikov gives us a frightening new reality of the modern world beset by war and terrorism in his reimagining of Strauss's Salome