In bester Verbundenheit: Andris Nelsons und die Wiener Philharmoniker

By Sebastian Urmoneit, 08 June 2022

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Reviewed at Philharmonie: Großer Saal, Berlin on 5 June 2022

Gubaidulina, Fairytale Poem

Shostakovich, Symphony no. 9 in E flat major, Op.70

Dvořák, Symphony no. 6 in D major, Op.60

Vienna Philharmonic

Andris Nelsons, Conductor

Wrangling the octopus: Mahler’s Ninth with Sir Simon Rattle

Chanda VanderHart, 17th April

Less a symphony, more a force of nature, Sir Simon Rattle conducts the Vienna Philharmonic in a turbulent, yet spacious reading of Mahler's Ninth Symphony in the Musikverein.

****1

Shared language and living history: Zubin Mehta and the Vienna Phil

Chanda VanderHart, 19th March

Zubin Mehta, Pinchas Zukerman and the Vienna Philharmonic meet in repertoire they know intimately, illuminating it through mutual understanding.

*****

Vienna Philharmonic closes Carnegie residency

Edward Sava-Segal, 1st March

Andris Nelsons pairs Richard Strauss’ Also sprach Zarathustra with Sibelius’ Second Symphony to conclude the Vienna Philharmonic's latest Carnegie Hall residency.

****1

Contemplation and exuberance: Vienna Philharmonic at Carnegie Hall

Susan Stempleski, 28th February

Andris Nelsons conducts the Vienna Philharmonic in the New York premiere of a solemn, modernist work paired with two high-spirited symphonies from the 18th and 19th centuries.

****1

A vanished Old World with the Vienna Philharmonic in Hamburg

Mengguang Huang, 20th January

A Vienna Philharmonic evening conjures a vanished world: Strauss’ muscular drama and intimate humour, Haydn’s inward gravity and a graceful waltz to close.

****1

The Vienna Philharmonic explores Central Europe with Jakub Hrůša

Chanda VanderHart, 11th December

At the Konzerthaus, the Vienna Philharmonic travels across the Austrian borders with Jakub Hrůša into the varied sound worlds of Hungary, Bohemia and Moravia.

****1

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Sebastian Urmoneit

Sebastian Urmoneit sudierte Musikwissenschaft und Philosophie in Berlin (u. a. bei Carl Dahlhaus). Ergänzendes Studium an der HdK Berlin (UdK)(u. a. bei Heinrich Poos und Hartmut Fladt), Dissertation zu Wagners „Tristan und Isolde“; Aufsätze über Schubert, Wagner, Wolf, Strauss und Brahms; Herausgabe: Joseph Haydn, Memoria, Band 11 mit Hartmut Fladt. Werkeinführungen für das Berliner Konzerthaus, das Radio-Sinfonieorchester Stuttgart des SWR, die Bamberger Symphoniker, die Stuttgarter Philharmoniker, die Südwestdeutsche Konzertdirektion Erwin Russ GmbH, die Dachauer Schlosskonzerte, die Albert Konzerte GmbH in Freiburg u. a.