Tödliche Macht des Gewissens: beklemmende Katja Kabanova in Stuttgart

Elmar Gilbertsson (Boris) und Corinne Winters (Katja)

Corinne Winters (Katja) und Elmar Gilbertsson (Boris)

Ida Ränzlöv (Warwara) und Corinne Winters (Katja)

Corinne Winters (Katja)

By Christoph Wurzel, 21 February 2023

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“Winters macht in berührender vokaler Expressivität die ganze Zerrissenheit ihrer Figur deutlich”

Reviewed at Staatsoper Stuttgart, Stuttgart on 18 February 2023

Janáček, Kátya Kabanová

Staatsoper Stuttgart

Tito Ceccherini, Conductor

Jossi Wieler, Director, Dramaturgy

Bert Neumann, Set Designer

Nina von Mechow, Costume Designer

Lothar Baumgarte, Lighting Designer

Staatsorchester Stuttgart

Staatsopernchor Stuttgart

Sergio Morabito, Director, Dramaturgy

Corinne Winters, Kátya

Elmar Gilbertsson, Boris

Maria Riccarda Wesseling, Kabanicha

Rainer Trost, Tichon

Patrick Zielke, Dikój

Kai Kluge, Kudrjaš

Ida Ränzlöv, Varvara

Torsten Hofmann, Kuligin

Shannon Keegan, Glaša

Bang to rights: a rare outing for an opera from the former GDR

Matthew Rye, 13th November

Die Verurteilung des Lukullus, Paul Dessau and Bertolt Brecht's political satire about a Roman general judged for his deeds after death, has lost none of its relevance in Staatsoper Stuttgart's new production.

****1

In Konwitschny's modern Medea, monsters are made by men

Ilana Walder-Biesanz, 27th December

Director Peter Konwitschny's staging of Cherubini's Medea critiques rejection and mistreatment of refugees. A strong new German translation and a talented cast make this a must-see.

****1

Rousseau and a boxing ring: Ariodante in Stuttgart

Jonathan Sutherland, 17th December

In Jussi Wieler and Sergio Morabito’s pugilistic production of Ariodante, the singers needed as much physical and gymnastic dexterity as vocal finesse.

***11

Sex and violence in the ghetto: Pique Dame

Ako Imamura, 6th July

Oper Stuttgart’s new production of The Queen of Spades (Pique-Dame) pushes a directorial tendency to update opera to a modern setting to an extreme.

***11

Devil in the detail: Gounod's Faust in Stuttgart

Matthew Rye, 3rd November

A thrilling new staging of Gounod's opera from the team that brought Bayreuth its current Ring, with musical rewards to match.

*****

Modern terror: Salome in Stuttgart

Ako Imamura, 1st December

Director Kirill Serebrennikov gives us a frightening new reality of the modern world beset by war and terrorism in his reimagining of Strauss's Salome

****1

More reviews...

Christoph Wurzel

Nach dem Studium der Germanistik, Politikwissenschaft, Philosophie und Musikwissenschaft war Christoph Wurzel lange im pädagogischen Bereich tätig. Er interessiert sich besonders für die gesellschaftlich relevanten Aspekte der Musik. Er lebt in Baden – Baden und schreibt für verschiedene Magazine in Deutschland.

Tödliche Macht des Gewissens: eine beklemmende Katja Kabanova in Stuttgart