Vitalität und Klang-Verschlingungen: das Belcea Quartet in Salzburg

Belcea Quartet

By Michael Vieth, 14 August 2023

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“ein luxuriös gewirkter, kunstvoll gemusterter Klangteppich wunderbarer Farbigkeit”

Reviewed at Stiftung Mozarteum Salzburg: Großer Saal, Salzburg on 13 August 2023

Schubert, String Quartet no. 10 in E flat major, D.87

Dvořák, String Quartet no. 10 in E flat major "Slavonic", Op.51

Debussy, String Quartet in G minor, Op.10

Beethoven, String Quartet no. 13 in B flat major, Op.130: Cavatina

Belcea Quartet

A constellation of quartets end the East Neuk Festival

Simon Thompson, 29th June

Sixteen of the finest string players around join forces on one stage to end the East Neuk Festival in a grand finale.

****1

Echoes of Youth: the Belcea and Ébène Quartets at Carnegie Hall

Edward Sava-Segal, 14th November

A concert of Mendelssohn and Enescu octets which proves that eight can be more than four plus four.

****1

A game of numbers: Belcea Quartet and Quatuor Ébène play octets

Alexander Hall, 28th May

Sometimes you just marvel at the level of musical inspiration and the virtuosic quality of the playing. The two octets by Mendelssohn and Enescu make a very satisfying pairing.

****1

A Basque banquet at the Festival Ravel

Mark Valencia, 30th August

Vilde Frang and Bertrand Chamayou join the Belcea Quartet for a musical feast including Chausson's sumptuous Concert.

*****

Beautiful Brahms from the Belcea Quartet at East Neuk

Simon Thompson, 29th June

Heavenly strings and Hellish piano from the Belcea Quartet and their celebrity guests in Crail as the 2023 East Neuk Festival begins.

****1

All passions spent: Chamayou and the Belcea Quartet

Chris Garlick, 13th April

Two larger than life piano quintets share star billing on an intense Wigmore Hall programme.

*****

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Michael Vieth

Michael Vieth ist Physiker und hat viele Jahre in der Zentralen Forschung der Siemens AG in Erlangen und München an magnetischen Speichern und Sensoren gearbeitet. Auch von klassischer Musik magnetisiert, singt er seit seinem Studium in Göttingen in großen Kantoreien und Chorprojekten; eine besondere Vorliebe hat sich zu Motetten der Renaissance und der Moderne entwickelt. Daneben faszinieren ihn Auftritte und Programme kleiner Vokal-Ensembles.